A Quote by Ryan Gosling

This is going to sound ridiculous, but I remember watching 'Boyz n the Hood,' and there is a scene where Cuba Gooding, Jr. gets pressed against a car by a police officer, and he starts crying because it's so humiliating. I remember thinking in that moment that I could totally identify with him, and I'm a little white kid from Canada.
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.
Whom do you feel sorrier for: the cast of 'Boat Trip' or their children? Remember, kids can be very cruel - and this latest 'get Cuba Gooding Jr. career counseling fast' project is a misfire from beginning to end.
My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes.
I remember where I was when I first heard 'Boyz N The Hood' - 126th Street and Normandy, South Central, Los Angeles. I remember that I was on my porch. What they described in that song was so vivid and so clear to me because it was the kind of life I was used to witnessing and partly experiencing in my neighborhood.
I remember crying all the time. My major thing growing up was I couldn't fit in. Because I was from everywhere, I didn't have no buddies that I grew up with...Every time I had to go to a new apartment, I had to reinvent myself, myself. People think just because you born in the ghetto you gonna fit in. A little twist in your life and you don't fit in no matter what. If they push you out of the hood and the White people's world, that's criminal...Hell, I felt like my could be destroyed at any moment.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
I remember thinking about how fun it would be to be a reporter. I had a dream, when I was little, to become a police officer and a crime investigator. It depends on what kind of stories you're reporting, but it's very similar. You're finding out the truth.
It was 1995, the year Ben Crenshaw won the Masters. I was watching on TV, and I remember watching him sink his final putt on the 18th hole. He broke down in tears because his coach, Harvey Penick, had just died. I sat there watching with a box of Kleenex, wiping tears from my eyes and going, 'OK, this is crazy - I'm crying over golf!'
I have a former Baltimore City police officer's uniform and his robe and hood. He was the grand dragon, which means state leader. His day job, what paid his bills, he was a Baltimore City police officer, not an undercover officer in the Klan gathering intelligence, but a bona fide Klansmen on the Baltimore City police force.
My dad was a physician. As a kid, I remember driving around with him on weekends so he could do his rounds at the hospital and talk to patients. We'd spend time in the car talking about what was going on with them, their stories.
I felt suicidal. I couldn't stop crying. I remember thinking, wouldn't it be great if the car crashed and I died?
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
When Cuba Gooding Jr. and I were doing 'The Trip to Bountiful,' we would always go to BXL, a Belgian restaurant/bar. It was across the street from the theater, and they have amazing mussels.
I remember watching that scene in 'My Girl' where Anna Chlumsky cries at a funeral. I would cry with her and be like, 'Yeah, I think I could do that. I could do a funeral scene.'
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