A Quote by Ryan Gosling

People don't step outside themselves and make the film they want to make, because they're afraid of the reaction. But once you get that reaction and have lived through it, there's nothing they can do to get you down.
I have found that I get a better reaction from people once I am less bothered about their reaction.
It's hard when you make a film from a book that so many people love, because there's no way to get the entire story into a two-hour movie. But I was pleased with the reaction [for Kite Runner].
I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
I love theatre because that is my foundation. So, if I had to make a choice in terms of where I get the most fulfillments, it would be theatre. The reaction is so immediate, unlike with TV and film.
Depend on it, that from every condition of distress or evil there is a great reaction, and the greater the evil or distress, the greater the reaction. If we do not get a reaction quick, we will get it long when it does come.
Quite frankly, I talk about the fact that I'm a feminist as often as I can, and every time I do, it gets huge reaction, and media reacts, and the Twitterverse explodes and things like that, because here I am saying I'm a feminist. I will keep saying that until there is no more reaction to that when I say it, because that's where we want to get to.
My goal in wrestling was always to take people on a journey to get a reaction and make people feel like they had seen something special. Thankfully, I get reminded of that every day.
I prefer to make a film that people have a really intense reaction to than have a film that people feel ambivalent about.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
The first reaction is, get defensive. Second reaction is, what are we going to do about it?
The WWE is based on, I think, reaction. You know, if you can't get a reaction, that means you can't put butts in the seats.
The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
I feel like you have to make art because you have to make it. But the end result of it- that last stage- you have to show it to somebody else to hopefully get a rise or reaction out of them- [to see] if it’ll affect someone else.
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
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