A Quote by Ryan Gosling

You can tell so much about somebody by the films they make, and it's only while I approach this do I now realize how much of the filmmaker you can see in their films. — © Ryan Gosling
You can tell so much about somebody by the films they make, and it's only while I approach this do I now realize how much of the filmmaker you can see in their films.
I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come only later. You shouldn't let money dictate the kind of films you should make.
I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
I know how to make films and now I'm able to make films with the resources and the tools that match my imagination, and what filmmaker doesn't want to do that? I feel very fortunate to have that. I don't take it for granted.
I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
When people approach me about my films it is usually to tell me how much they hate them.
I think that until a filmmaker knows that about him- or herself, the films they make will just be copies of other people's work. It's important for anyone who wants to make films for a living, but I think perhaps it has an even greater weight for female filmmakers since they represent a much smaller percentage of the population. Their voices are fewer so they must be even stronger.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
I don't like to talk about messages so much with films simply because it's a little more didactic. The reason I'm a filmmaker is to tell stories and so you hope that they will have resonance for people and for the kind of things you're talking about.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I personally love to see films not knowing very much about them. When you see it, it's like a flower opening up. I deliberately never read about films before I see them.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
So there's a choice that I made to tell stories that are still psychological melodramas about domestic issues. The challenge is to figure out how to make 10 films a career as a filmmaker, and that's a really challenging thing.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
What is my intention being a filmmaker? To make as much money as possible, or get as much attention as possible? It's not really either of those things. Now I can tell the stories that I want to tell.
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