A Quote by Ryan Hall
You dream about the Olympics for so long and you have that one day, then it's over, and when you don't run well there is this huge letdown. It took me years to deal with that. I feel like I almost had to cleanse myself of that experience.
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I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
I think educating myself has been huge. I feel like the way it's presented in the media is that if you got to Brazil you're flipping a coin on your health. I don't think it has to be that way. If I were wanting to have a baby right after the Olympics I would take precautions, and then when the Olympics were over I would get tested to make sure I didn't have the virus in me, and then I'd go for it.
All I'd ever heard my entire life in my family was, "Nobody wanted you, and we took you in." When you get that into your head at a tender age, you really feel like you are an unlovable human being, and then you behave like one. That's exactly what I had done. It took me many years to deal with my own violence and find my own niche.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
Just as I was turning fifteen, in the spring of 1946, my parents took me to see 'The Glass Menagerie,' well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this - because there was nothing like this on Broadway.
I feel a huge gratification out of being right. To see my projects connect in a way in which the audience is passionate is a huge compliment. For me it's like, if a person is ambitious enough, they run in a tunnel that doesn't end...And I learn things about myself all the time.
As a teenager, my dad taught me about the idea of unintended consequences, and I've had the experience, and how to deal with it, pounded into my soul over the years.
I have a recurring dream where I'm on the run for a horrible thing I did years and years ago. Like, in the dream... because the thing I did was so long ago that it's just a faint memory in my dream, so I'm sort of remembering it as I'm on the run from the police. And I'm totally guilty of it.
That whole day [ of the space flight] is very vividly impressed on my memory because it was such a new experience. We hadn't done that before. And then I've recalled it so often since then I think that it's a - it's remained very vivid over the past 50 years, seems to me like about a week or two instead of 50 years.
When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
One thing I learned from the '88 Olympics: It's not a question of if they can screw you over: it's a question of if they will. It's not the gold medal they took away from me. The medal doesn't mean anything. It's that they said I lost. That experience is well and alive in my mind.
The thing I always laugh about is we tried for years to make successful television. And at the end of the day, we never had a show run as long as our run at Marvel.
Well that's a bit of a question like saying, what have you learned in life that would help you lead? My whole life has been learning to lead, from my parents, to my education, to the experience I had in the private sector, to helping run the Olympics, and then of course helping guide a state. Those experiences in totality have given me an understanding of how America works and how the economy works.
There was a point where if you had told me I was going to be a national morning anchor, I would probably have been terrified. But now, I feel prepared. I've been in the business for almost 20 years now. I'm almost forty years old and I've been doing this for a long time, so I felt like, "Okay, I'm ready to do this."
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