A Quote by Ryan Holiday

If it comes as a constant surprise each and every time something unexpected occurs, you're not only going to be miserable whenever you attempt something big, you're going to have a much harder time accepting it and moving on to attempts two, three, and four.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
I led the NFL in attempts the past two years and they really didn’t go out and get a quarterback to help me so I knew it’s going to be all on me again. I could see my mortality as a football player, that I’m not going to be able to do this much longer. It just became obvious to me that playing football for me is not going to be fun, not something I’m going to enjoy and it’s time for me to do something different.
As an actor, I enjoy variety. That's a big thing for me. So, if I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
It's a ridiculously expensive time of year and if you buy something that you've guessed at and it's not right, what a waste of money. Far better to ask. And if you do it with three or four weeks to go, by the time it comes to Christmas you've forgotten about it - so it's a lovely surprise.
Try to devote the percentage of time for each club that you're going to be using on the golf course. I like to have two or three different clubs that I practice with, not four or five.
The hardest thing to do in wrestling is that every time you show up, there's just a ring with three ropes, turnbuckles on each side, it's extremely hard to do something to surprise and shock the fans.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
For me, when I start a novel, I only have a general sense of what I am going to do - usually three or four big scenes or something to which I can really respond emotionally.
What inspires me is anxiety and the quest to try to change things in my life. ...I got addicted to endings and beginnings and to the idea of always moving around. ...Obviously, whenever you're going through something that's the best time to create, if you're going through something amazing, or horrible, or nothing at all you should be creating. Unfortunately the songwriters of today generally torture themselves to make sure they're writing good songs and take it a little too seriously.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
Oftentimes, it feels like we spend so much of our life waiting to make art, waiting for somebody to let us do something. You don't really have to do that. You can make it all the time. And 99 percent of the time, it's not going to be a big deal on a global scale. But 100 percent of the time, it's going to make you feel amazing.
My songs have a lot going on in them -they're packed with sounds. When I have only three or four minutes to capture something, I guess I can't stand the idea of any bar going unloved.
If I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
Every time something is going good, going great, there's always something that happens to remind you of reality.
Physically, I have to get a lot better, ... I have to play these three setters and the points are going to go on and on. This is not something that is going to happen overnight. I am only 18 and this is going to take time. My body is still growing and I'm still adjusting to my own body.
The only other job that I've ever had that provided that time in the morning, where you're going to work and you can't wait to get there, and the sun's rising, and you are moving towards something you look forward to, was getting up and doing every day, was being a carpenter.
This site uses cookies to ensure you get the best experience. More info...
Got it!