A Quote by Ryan Hurd

That's a lonely place when you think that nobody wants to work with you, but in reality, what it is is they're just wanting to see you get good enough to get a publishing deal or to be a professional songwriter.
Self-publishing is still my basic recommendation to anyone wanting to do comics. Do it. Do it until you get good. Do it after you get good. It's good for your spirit as a creator.
I’m just some white guy in California, and nobody in Flint is going to pay any attention to what I’m saying. I don’t blame them. Nor do doctors want to publicly agree with me, because nobody wants to downplay the effects of lead poisoning. I get that too. I can already imagine the number of tweets and emails I’m going to get demanding to know why I think Flint is no big deal.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Everybody wants to win. You know, nobody ever wants to feel like they lost. That was probably one of biggest lessons I learned. You don't want to be that guy sort of banging fist on table telling somebody what you want. People want to feel like they had enough value on both sides that the deal worked out on both ends. I had an incredible team in place that really supported me and I would not have been able to get the deal done had it not been for those people.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
I put a list together. It was like: Get health insurance, get a car, get a bigger apartment, travel more, get a record deal, get a publishing deal, sell 10,000 units, be a part of a No. 1 album, make a million dollars. I got to check off 90 percent of the stuff last year. I hit some serious landmarks in 2015.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
The goal is to become the central hub of publishing, where we have all the written material - user-generated and professional. We want to be the place where people can publish instantly to their audiences... and to get there, it's just about doing things step by step.
I feel it's better to be loved and respected. If people fear you, you can get killed. If you're feared, nobody likes you. If you're feared nobody treats you the right way. You never get the right answers. You ask somebody if this is good, they'll tell you it's good even if it's bad. Nobody wants to be feared. You want to be respected.
I don't have time to be lonely. And I get fearful of relationships because I feel guilty about wanting someone to be completely faithful and loyal, when I can't even give them 10 percent of the attention that they need. It's just the reality of my time, my life, my schedule.
As you see the opening get closer, you just can't get fast enough. And finally, just when you think you'll never get there, you see the opening right in front of you.
It was not very hard to do a double album. Nobody thinks it's a good idea if you're an unknown singer-songwriter. But I just kind of feel like if I want something, I can get it. That's the good side of being American, or something, you know?
I try to be realistic with students. And say that there's a good chance that they're not going to get a creative writing teaching job, that there aren't enough jobs to go around and the university faculties are cutting back on staff and that they may have to get some other kind of work. None of them wants to hear that, but it is true and I think I'm a good example for them of somebody who took the other route.
Like a lot of small press founders I was looking for a way into publishing - as well as a way out of academia. Without moving to London, I couldn't see a way of working for a publishing house whose work I liked. Believe it or not, the simplest way for me to get into publishing was to start my own press.
A good part of the work is just reading a manuscript and coming to the office. I can't imagine wanting to even read an article about book publishing.
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