A Quote by Ryan Hurst

I don't know. I always love to find where a character's heart is, and by that I mean where they're intrinsically vulnerable, and to bring that out in myself. — © Ryan Hurst
I don't know. I always love to find where a character's heart is, and by that I mean where they're intrinsically vulnerable, and to bring that out in myself.
I suppose with any character that you play you always bring your personal experience to it. You always bring people that you know or that you've met and sort of - this is what I do, I mean, I don't know what anyone else does - but people that you know or that you've met that have affected you in certain ways, you bring into it.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I'm the biggest Westbrook fan, I think, there is. You know what I mean? Because he reminds me so much of myself as far as his heart and laying it on the line night in and night out. Just a guy that's going to bring it every single night.
I'm a vulnerable guy, which is always been there, you know? Like, most of the time I put myself in positions where I am vulnerable, because I don't think you're living unless you do.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.
When I work I do it from my heart. And my heart is that I bring love to the world. When I travel around the world I bring my love. I bring so much love in my heart. I hope you can feel that.
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I love accents; I would love to find more characters with a variety of vocal intonations. It creates a character. It's like you're singing a song. Some people find their character through walking or movement - for me, voice is one of the ways I find parts of the character.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
When you play a character, there's always a part of you. Like, you always bring out a side of you when you do another character.
Love makes me vulnerable. In business I'm tough on myself - I'm like a drill sergeant. If I'm down, I'm used to getting right back up, but when it comes to love, your heart can't do that.
Music doesn't always bring me to tears; if I hear "Love" by John Lennon at a vulnerable moment it will bring me to tears.
Music doesn't always bring me to tears; if I hear 'Love' by John Lennon at a vulnerable moment, it will bring me to tears.
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