A Quote by Ryan Lewis

Rick Rubin is super intriguing to me because he has become this god producer in completely drastically different genres, which very few people have done. — © Ryan Lewis
Rick Rubin is super intriguing to me because he has become this god producer in completely drastically different genres, which very few people have done.
Dave Fortman really helped me appreciate Rick Rubin as a producer.
You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
I met Rick Rubin through Cat Collins, a DJ friend of mine that had worked for Rubin at American Recordings.
Rick Rubin was able to do things that Dave Fortman could never do. I'm not trying to take anything away from Dave Fortman as a producer. He's extremely talented. He wasn't able to get nine people together on the same page and, to me, that's the most important thing in making a Slipknot record.
Unfortunately, like, homework and school wasn't the thing that I was obsessing over. It was, you know, music and making music and how to like - and drum machines. And we met Rick Rubin, and Rick Rubin had a drum machine. So I would just cut school and go to his house - his dorm room.
Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.
I heard that people were really interested in the new haircut, which I think is so funny. Great haircut, I really like it. It goes great with the time period. And I was super, super, super-happy to have my bangs swept to the side rather than straight in front of me, which I dealt with for three seasons. I'm very, very much done with that.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time they're like, "Can you try it this way, can you try it that way?" That's each line in the song, for each song.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time, they're like, 'Can you try it this way? Can you try it that way?' That's each line in the song, for each song.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
Rick Rubin's undulating face hair is just as famous as his body of work. In homage to the yogis he read about as a boy on Long Island, Rubin hasn't shaved since he was 23. It's long been his registered trademark.
That's what a producer does - make it better; help make the song better and make the band better. Not write music for the band or tell a band what to do. And Rick Rubin doesn't tell you what to do; that's why some people don't like him.
What I said, what are you [Rick Rubin] going to do with me that nobody else has been able to do to sell records with me?
It was Rick's Rubin idea to have the 'Brooklyn' verse repeat. It already was a story, but having that made it a folk song. Instead of this rambling march of verses, Rick understands that music needs hooks. You need that repeated chorus, that everyone can sing along to.
The biggest thing Rick Rubin taught me is that you don't get any extra credit by doing everything yourself.
Horror I appreciate is one of the few genres that can wind the audience up and make them pay attention. I kind of like that. It's one of the few genres that can be very manipulative.
This site uses cookies to ensure you get the best experience. More info...
Got it!