A Quote by Ryan Lochte
Every year before a big competition, I get hurt doing stuff I should not be doing. One year it was my little brother's 12th birthday. We all played hide-and-seek late at night. I climbed up a 30-foot tree, thinking he'd never catch me. I tripped and fell on one of the branches and I hit my head.
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Before I started doing '30 Rock', I did about 25 movies. I'd always been doing stand-up every night, and then I would do, like, two to four movies a year. So I really liked doing that, and I want to get back to that, but because of the time commitment to '30 Rock', there's not much time to do that stuff.
And if I get a little chemically imbalanced in the head, like we all know I tend to get sometimes, and I don't want my parents or brother knowing, Will's like, 'We'll deal with it.' He's never said, 'I'll fix it up.' He just says, 'You're not up to going back to uni to finish your Honours this year? Big deal. There's next year. We'll deal with it.'" She nods. "That's what he does well.
I hit the road with a bunch of drag queens every year, sometimes two times a year. Again, as such a fan of drag, it's the art form that excites me and the longform presentation that they do. So it's super exciting to be with them, doing what they love to do and doing it well.
About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.
My numbers and my stats were exactly the same. I was doing what the coaches wanted me to do. And what I had been doing up to that point was enough to get me a very well-paying contract with the Vikings. ... In my mind there was only one thing that had changed from the year before and the year I got cut: And that was I started speaking out in support of same-sex rights.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
In rock music, you have a big success before you turn 30, then there is sort of a decay. Then there is the reunion, and everyone is waiting to hear what you were doing when you were 20, and nobody cares what you are doing at 50 or 60. But the more I continue, the more I produce, the more I play every year in bigger places.
It's such hard work doing a musical. I did my first musical last year, performing in The Producers, and it was a big part to suddenly be doing Leo Bloom in that. It's such hard work. It's a proper slog. It became like clocking in. And it's a big factory - you go in, everyone's got their little plot, people are taking in and out of it if they have days off or holidays, and it's just a jigsaw that all works. It always amazes me that this product would happen every night and it was just all these elements coming together in a big machine.
One night I'm going to have a big night scoring; some nights I'm going to have a big night doing other things. Just doing whatever it takes to win the ballgame, not necessarily sitting up here worrying about scoring 30 points.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.
When I was on 'Head of the Class,' 25 million, 30 million people would watch that every night - now a big hit doesn't get a third of that audience.
My New Year's Eve is always 2 July, the night before my birthday. That's the night I make my resolutions. And this year scares the life out of me, because no matter how successful, how good things appear, there is always a deep core of failure within me, although I am trying to deal with it. My biggest fear, this coming year, is that I will be waking up alone. It makes me wonder how many bodies will be fished out of the Thames, how many decaying corpses will be found in one-room flats. I'm just being realistic.
What happened was, in my final year of university in Australia, there was a campus comedy competition, and I felt like it was something I could do. I won that competition, and I kept doing it, and I couldn't get a job in law. So I just kept doing comedy.
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