A Quote by Ryan Mason

I worked with Mauricio Pochettino and even as a player, he had certain mannerisms and his body language. There was so much to learn from. — © Ryan Mason
I worked with Mauricio Pochettino and even as a player, he had certain mannerisms and his body language. There was so much to learn from.
Working under Pep Guardiola, a chance like that doesn't come along too often. That's no disrespect to Mauricio Pochettino, but the people that Pep has worked with grow as players.
I've got the utmost respect for Mauricio Pochettino at Tottenham.
If Mauricio Pochettino can get the sack, then we all can because he did a wonderful job at Tottenham.
Mauricio Pochettino - he was my captain at PSG and I always knew he would become a manager. He has taken a lot of influence from Marcelo Bielsa, who was his coach with Argentina; they used to talk about things a lot, and now you can see that his teams are really aggressive, both when attacking and defending.
For its part, one of the keys of Tottenham is that it has players who know each other very well for two or three years. They have not made changes and are managed by the same coach, Mauricio Pochettino. Therefore, they perfectly apply the idea of team and style of play.
Since I was a kid, I've always been able to copy the mannerisms and body language of everyone around me.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
Kohli is my favorite batsman. I watch his videos and try to learn from that. He is an experienced player, and it is always good to learn from a player of his caliber.
What was old can be brought back new, and I bring that to the table. I bring mannerisms, facials, body language, positioning.
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
But these last months had turned him around and now Gen saw there could be as much virtue in letting go of what you knew as there had ever been in gathering new information. He worked as hard at forgetting as he had ever worked to learn.
The thing that got me closest to doing Kermit was remembering what Jim did when he was doing Kermit. When he would do Kermit, there were certain faces that he made. There was a certain way he stood, a certain kind of body language that he had.
As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.
By listening to his language of his locality the poet begins to learn his craft. It is his function to lift, by use of imagination and the language he hears, the material conditions and appearances of his environment to the sphere of the intelligence where they will have new currency.
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