A Quote by Ryan Miller
As I have always found, and often am forced to remember, to all things there is a beginning and an end.
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But now that I am old, moving every year closer to the end of my life, I also feel closer to the beginning. And I remember everything that happened that day becasue it has happened many times in my life. The same innocence, trust, and restlessness; the wonder, fear, and lonliness. How I lost myself. I remember all these things. And tonight, on the fifteenth day of the eighth moon, I also remember what I asked the Moon Lady so long ago. I wished to be found.
I never map things out in advance. It would be better if I did and more economical in terms of time, but I've found that if you work out a plot line from beginning to end, at the beginning it becomes very rational.
She looked up. "What I can't figure out is why the good things always end." "Everything ends." "Not some things. Not the bad things. They never go away." "Yes, they do. If you let them, they go away. Not as fast as we'd like sometimes, but they end too. What doesn't end is the way we feel about each other. Even when you're all grown up and somewhere else, you can remember what a good time we had together. Even when you're in the middle of bad things and they never seem to be changing, you can remember me. And I'll remember you.
I love 'The Office.' I'm in the premiere, and I'm maybe gonna shoot another episode this season, but I've been there since the very beginning, so when I found out this is the last year - I am a good Asian kid who was an A student - I wish I could be there to the end to see things through.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
In the beginning I didn't want to do a menswear collection. It felt a little forced. And then I found that it was an amazing world.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
People say that steadiness of mind is an end; no, it is a beginning. I am there; I can explain everything up to that point. Then I struggle to discover what comes after, so this steadiness is not an end, it is the beginning and the instrument.
To me there are two Hitlers: one who existed until the end of the French war; the other begins with the Russian campaign. In the beginning he was genial and pleasant. He would have extraordinary willpower and unheard-of influence on people. The important thing to remember is that the first Hitler, the man who I knew until the end of the French war, had much charm and goodwill. He was always frank. The second Hitler, who existed from the beginning of the Russian campaign until his suicide, was always suspicious, easily upset, and tense. He was distrustful to an extreme degree.
And the end and the beginning were always there Before the beginning and after the end.
it is always easier to see the beginning from the end, than the end from the beginning.
I'm not sure about the selling part, but I've always found that the things I've worn on tour have moved over to what people wear every day. Sometimes the things I wore in the beginning before I had money were things I put together.
I am full of a sense of promise, like I often have: the feeling of always being at the beginning.
I remember one morning getting up at dawn, there was such a sense of possibility. You know, that feeling? And I remember thinking to myself: So, this is the beginning of happiness. This is where it starts. And of course there will always be more. It never occurred to me it wasn't the beginning. It was happiness. It was the moment. Right then.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
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