A Quote by Ryan Montgomery
I feel like I'm at a point in my career where I'm looking for something else to sink my teeth into that's interesting to me, that I can do that I can feel like I'm turning another corner.
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I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
Now being 41 and looking back on my career... It became natural for me to revisit Inglewood and to revisit the coming-of-age movie, but not wanting it to feel like a period piece completely about nostalgia but wanting it to feel like something that was relevant today and also forward-looking.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
I think a lot of people feel like they still have something to prove, because when you get in and you're chasing success, you always feel like you have something to prove. But at this point, I feel like an underdog, and I actually like being in that position.
I feel like I put it together better than anybody else. I don't feel like I'm the best dancer. I don't feel like I'm the best singer. I don't feel like I'm the best looking. I feel like I'm the best at putting it all together.
I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
It's not that I don't respect my parents' authority or appreciate all that they did for me, but when I was 18 I was able to move out, and I was out. I feel like a different person since then; I mean, it's obviously a big turning point in life. I feel like I've established myself, and I'm a smarter and more mature for it.
If you are going to do something potentially for another eight years, you want it to be something that you can really sink your teeth in and that's going to be different and interesting for this next period of time.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
I like to do things that are publicly embarrassing, to feel the embarrassment touch me and sink into me and then be gone. I like getting on elevators and singing too loudly in that small space. The feeling you feel is almost like a vapor. The discomfort and the wishing that it would end that comes around you.
I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.
I'm always happy when I get a chance to go over to Japan just because I feel like, if I can have good matches with the Japanese and show them that at this point in my career I'm still willing to go out there and put it on the line, I feel like it's a positive step in my career.
I feel like I'm the last rap superhero. I really do. I feel like everybody else, they seem to be a bit victimized, and I don't feel like that's me.
A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.
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