A Quote by Ryan Murphy

Joan Crawford and Bette Davis are larger than life. They just are. They sucked all the oxygen out of a room: they're icons; they loom large in our imaginations. But the truth of the matter is both women were diminutive.
People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
I mean, I see the old interviews with Bette Davis or Joan Crawford, these characters clawed their way up - what stories.
I think that the work that Bette Davis and Joan Crawford did was truly extraordinary, and that's their legacy. Not the other petty stuff.
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
I watch an awful lot of old Hollywood movies - I'll devour anything with Bette Davis or Joan Crawford. My absolute favourite is 'Sunset Boulevard' starring Gloria Swanson.
I watch an awful lot of old Hollywood movies - Ill devour anything with Bette Davis or Joan Crawford. My absolute favourite is Sunset Boulevard starring Gloria Swanson.
I get up at seven for the make-up, Rita Hayworth at six, Joan Crawford and Bette Davis at five. I don’t want to know the time when I’ll have to come to the studio even earlier.
I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
The Joan Crawford that I've heard about in 'Mommie Dearest' is not the Joan Crawford I knew back when.
I loved working with Bette Davis. Bette Davis was great to work with and a wonderful teacher, and very kind to me. We became good friends.
At the time Gothic cathedrals were designed, most people lived in dark huts, so just walking into a space vastly larger than what they were habituated to, lit by stained glass windows, was literally awe-inspiring. Today, we're not as impressed by big buildings, so we have to go to very large mountains to experience that 'diminutive effect.'
I only wrote two fan letters in my life. One was to Bette Davis. And one was to Ron Palillo, who played Horshack on 'Welcome Back, Kotter.' And Ron did not write me back, but Bette Davis did.
Old Hollywood icons such as Marilyn Monroe, Vivien Leigh, and Bette Davis are so inspiring; their style is romantic and feminine and their glamour mesmerizing. I love the idea of channeling that spirit on your wedding day.
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