A Quote by Ryan Murphy

For me, the saddest thing in the world is always lost potential. That is always the most heartbreaking thing, when there's something left to be mined from a situation or a person that goes unexplored; that's a tragedy to me.
No one is contented in this world, I believe. There is always something left to desire, and the last thing longed for always seems the most necessary to happiness.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
Your friend dies, and people always say, 'Oh, he lives through me,' or whatever. But it's just sad that they're not living. If a person dies that's close to them, then they say, 'I lost this person.' It always tripped me out because I would always be like, 'Yeah, but that person lost their life.'
I always thought the point of life was something richer than that. Something full of great tragedy or comedy, reversal of fortune, ecstasy, that kind of thing. But no, contemporary urban theorists seem satisfied with the merely livable, which always sounds to me like the merely survivable, the not so bad.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.
The one thing I always knew was Dad would always be there for me. No matter what the situation.
It was always the most fun thing in the world to think of a joke area and talk about it with someone like Jim Carrey, and then he would get on stage fearlessly and tear the house down. That's something I always enjoyed. It also allowed me to not be terrified.
Keats mourned that the rainbow, which as a boy had been for him a magic thing, had lost its glory because the physicists had found it resulted merely from the refraction of the sunlight by the raindrops. Yet knowledge of its causation could not spoil the rainbow for me. I am sure that it is not given to man to be omniscient. There will always be something left to know, something to excite the imagination of the poet and those attuned to the great world in which they live (p. 64)
If envy was not such a tearing thing to feel it would be the most comic of sins. It is usually, if not always, based on a complete misunderstanding of another person's situation.
I've always felt that if you back down from a fear, the ghost of that fear never goes away. It diminishes people. So I've always said 'yes' to the thing I'm most scared about. The fear of letting myself down - of saying 'no' to something that I was afraid of and then sitting in my room later going, 'I wish I'd had the guts to say this or that' - that galvanizes me more than anything.
I don't know whether these feelings - this thing growing inside of me - is something horrible and sick or the best thing that's ever happened to me. Either way, I can't stop it. I've lost control. And the truly sick thing is that despite everything, I'm glad.
I might not be the most whatever in the world but I've built credibility with the audience that means something. So, I can sort of have that thing about me and I always wear a nice suit as well, which is important.
Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability.
Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability. To trace the remote in the immediate; the eternal in the ephemeral; the past in the present; the infinite in the finite; these are to me the springs of delight and beauty.
Important thing to realize is the world is not here to make me happy. When you don't demand that the situation, or place, or person should make you happy, then actually the situation, place, or person is quite satisfying.
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