A Quote by Ryan Murphy

One of the unique things about 'American Horror Story' is, it's very respectful to actors. Actors in many cases don't want to be tied down to a seven-year contract. So my deal with the cast is: you're free after every year: you can come back, or you cannot come back.
If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror.
I decided I would open this little actors' workshop I always told actors to look for. That gave me something to do on Wednesday nights, and after about a year of that, I realized that some of the things I was saying to actors probably had broader application. I ran into a magazine called 'Speakers For Free.'
The people that keep coming back every year are diehards. I'll go out there to host a panel and I know half of the audience. I see them, every year, and they come back for more because they believe in us. That's one of the coolest things.
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
There are so many brilliant, trained actors of color in America. If you just think about it, every year in the spring Julliard and NYU and Yale and hundreds of schools across the country graduate classes of trained actors, and in those classes are actors of color. So to say that there aren't enough actors of color is factually inaccurate.
I live in LA so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent, so I can deal with that.
I had this idea when I was in the hospital, .. It seems like every year I always have different people come and ask for a Christmas song and it seemed strangely appropriate for me this year because Christmas is the time that I am supposed to be sort of back and up and running and whatnot. So I just wrote a song about returning from this very interesting journey and kind of getting back to normal and getting back to work and my regular life.
I work every day hard. I put my body through hell. Let me tell you, every year, seven months of the year, I don't see my family. Year in, year out. I miss my kids. Kid's birthdays, anniversaries. I'll never be able to go back and be with my family.
I was under the impression I had signed a three-year contract. I want to be back. I expect to be back. I will be back.
Lending has come back in retail; it has come back in working capital. It has also come back in other forms, like government contract being given out to companies.
The war now is away back in the past, and you can tell what books cannot. When you talk, you come down to the practical realities just as they happened. You all know this is not soldiering here. There is many a boy here today who looks on war as all glory, but, boys, it is all hell. You can bear this warning voice to generations yet to come. I look upon war with horror, but if it has to come, I am there.
If you withdraw the incredible focus on polio, it will spread back, and in poor countries you'll get something like 100,000 cases a year. So by being very intense and getting the cases down to zero, what you do is you avoid all the future cases.
You can't be unique any way. Music is made from seven notes. You will always come back to something. Even if you think you are unique, you will come back to something that existed before you were doing what you are doing.
I want to earn a contract. I don't want a contract because in the next year I'm a free agent, so they might look to tie me down.
When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."
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