A Quote by Ryan Murphy
Here's the thing: When you tell somebody, 'I love you. I have always loved your work, and I want to show people a different side of you,' it's sort of an interesting thing that in my case, I've been very lucky, where they're like, 'OK.'
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The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.
I think the thing that I wish somebody would ask me is just to ask about the business side of the radio show. I feel like I actually work very hard to make sure the business side of the radio show runs, and no one has any interest in how a public radio show is run. And rightly so.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
I don't have a problem with recognition... It's very, very rarely about who I am, it's always, 'I love your work.'... It's always in relation to my work, which I think is a really lucky thing to have happen as opposed to, 'Oh, you're a famous personality.'
I don’t have a problem with recognition ... It’s very, very rarely about who I am, it’s always, ‘I love your work.’ ... It’s always in relation to my work, which I think is a really lucky thing to have happen as opposed to, ‘Oh, you’re a famous personality’.
The first thing, the very very first thing, "Find out what your greatest characteristic is, your greatest undoing, your central characteristic of unconsciousness." Each one's is different. Somebody is sex-obsessed. In a country like India, where for centuries sex has been repressed, that has become almost a universal characteristic; everybody is obsessed with sex. Somebody is obsessed with anger, and somebody else is obsessed with greed. You have to watch which is your basic obsession.
I think people are uncomfortable seeing pregnant women, particularly with any kind of conflict. [Pregnancy is] very much a projection of life and love, but it's also very complicated. People have very complicated pregnancies. They could be accidental or people suffer depression, and that was a really interesting thing for me. And a challenging thing. I have not been pregnant. I don't know what that's like, let alone to be really conflicted about it. Acting in the film about pregnancy was a really interesting thing to do.
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
Typecasting is an interesting thing because, in a way, if you're good at something, you're going to work at that thing. In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes.
Real sadness is such an all-encompassing intense thing that it takes you out of your humdrum existence. If you can still function, you want to show it while it's peaking. So when people tell you to cheer up, it's not always the best thing.
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant!
It is one thing to tell people in theory that you can be whatever you want to be, but it is another thing to tell someone that they can be whatever they wanted to be because somebody that is just like you did it.
I have been in love already, but I don’t think I have ever really loved somebody. Love is a very rare and beautiful thing, but it can also be bitter if the other one doesn’t love you back.
I love acting. It's a lot of fun work, interesting work, and you get to work with some very interesting people. But I seemed to be OK walking away from it for a little while and then coming back to it.
I've always loved to perform in front of people, but it became pretty serious when I participated in 'Sweden's Got Talent.' I thought it would be a fun thing to do, and I was just like, 'OK, why not?' And Mom was like, 'OK, sure, sure, do this!' So I did, and I won it!
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