A Quote by Ryan North
I've said this before, but I think one of the reason so many of the cartoonists I know have become friends is because the Internet is a much more cooperative space.
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People compose for many reasons, to become immortal; because the piano happens to be open; because they want to become a millionaire; because of the praise of friends; because they have looked into a pair of beautiful eyes; or for no reason whatsoever.
When friends speak overmuch of times gone by, often it's because they sense their present time is turning them from friends to strangers. Long before the moment came to say goodbye, I think, we said goodbye in other words and ways and silences. Then when the moment came for it at last, we didn't say it as should be said by friends. So now at last, dear Mouse, with many, many years between: goodbye.
I think that because of YouTube, because of MySpace, because of the digital domain that we have on the Internet, the younger generation is much more open to information. I think it's so much easier for them to gain information and trade information, and they have become more aware. In some cases, more aware than their own parents and adults, as to what's going on in the world. I find that really intriguing and interesting, and I think there is a brewing of a whole new generation of activists coming.
I said, 'Well, how much space do I have?' And they said, 'Well, you know, it's the Internet.'
The more generous we are, the more joyous we become. The more cooperative we are, the more valuable we become. The more enthusiastic we are, the more productive we become. The more serving we are, the more prosperous we become.
I do worry that beginning cartoonists could feel somewhat strangled by the increasing critical seriousness comics has received of late and feel, like younger writers, that they have to have something to "say" before they set pen to paper. Many cartoonists feel even more passionate about this idea than I do, vehemently insisting that comics are inherently "non-art" and poop humor or whatever it is they think it is, but that attitude is a little like insisting that all modern writing should always take the form of The Canterbury Tales.
Cartooning is a wonderful career, and I'd like more women to get to have it. I can't think of any reason why we won't see more syndicated female cartoonists in the future.
I've always said that what cartoonists do is create friends for readers.
You're sort of programmed a certain way because of your environment. That's all you know. But we don't have that anymore because of the internet. Because of the internet we're all communicating with each other all across the board, so you're getting information from people all around the world, hitting a much more diverse slice of culture.
Dichotomies are an inherent part of comics, aren't they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.
So many people meet and become friends at my shows that didn't know each other before.
I've got more friends than I've ever had in my life at the age of 39 - although given that I didn't have any friends until the age of 27, it doesn't say much - because I found the internet.
Allowing another to be as they are is more what I think of as "space." The space to express yourself and know that you're going to be accepted. That's more where I go than with the actual physical logistics of how much time you have together and how much time you have apart.
I think there are too many smart people pursuing internet stuff, finance, and law. That is part of the reason why we haven't seen as much innovation.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
I thought Marcus was going to be in my life forever. Then I thought I was wrong. Now he’s back. But this time I know what’s certain: Marcus will be gone again, and back again and again and again because nothing is permanent. Especially people. Strangers become friends. Friends become lovers. Lovers become strangers. Strangers become friends once more, and over and over. Tomorrow, next week, fifty years from now, I know I’ll get another one-word postcard from Marcus, because this one doesn’t have a period signifying the end of the sentence. Or the end of anything at all.
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