A Quote by Ryan North
For me personally, I get to be a cartoonist, because my comic would never survive in print. Maybe one in 100 people would like it, but online, I can gather that one percent all in one place.
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I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
We would like to carry out 100 percent, or maybe more, of our scientific program; I would like to devote some of my spare time toward extra scientific work.
Psychics can never be 100 percent. I think that would be scary to be 100 percent.
I would never be 100 percent in stocks or 100 percent in bonds or cash.
In the old days, people would gather around the fire, or they would gather at a tavern, and they'd tell a story. And then, maybe a week later, someone would tell the same story, but with a different twist on it. That's how folk takes evolved.
Sometimes I feel like if two parents were given $100, and a child-free person was given $100, everyone would assume that the parents would invest their money wisely because they're smart. And people like me would just go buy candy.
As a kid, I imagined lots of different scenarios for my life. I would be an astronaut. Maybe a cartoonist. A famous explorer or rock star. Never once did I see myself standing under the window of a house belonging to some druggie named Carbine, waiting for his yard gnome to steal his stash so I could get a cab back to a cheap motel where my friend, a neurotic, death-obsessed dwarf, was waiting for me so we could get on the road to an undefined place and a mysterious Dr. X, who would cure me of mad cow disease and stop a band of dark energy from destroying the universe.
People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.
When you use a simple gelatin like collagen, you can get flavor that is 100 percent pure, maybe event 150 percent.
I always wished that I was gay, that I was just 100 percent gay - for so many reasons. No. 1, that means I would know who I was. No. 2, it would be a lot easier for me to be accepted by people because I wear wigs and dresses on the Internet, and I'm feminine and all these things. It'd be so much easier to be just like, 'Yeah, I'm gay.' But I'm not.
If we return abruptly to a Miocene-like climate, it's reasonable to think that we would experience a lot of extinctions, and maybe even a mass extinction in the long term. Would the life on Earth be radically different? Of course we can't say for sure, but I think a lot of it would look familiar. Like a lot of people, I worry a lot about whether marine mammals would survive, especially whales. Ocean acidification is one of the major killers in climate change events, and that makes the ocean a very inhospitable place.
Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.
You never agree with any one candidate 100 percent. I don't agree with myself 100 percent. You don't even agree with me 100 percent.
I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.
Looking back, yes, I made too many comebacks. But each comeback I was 100 percent sure that I would win. I never came back for the money, because I didn't need it. The adulation I was getting anyway in other spheres. But I'm a guy who likes to see how close he can get to the edge of the mountain - that's what makes me tick.
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