A Quote by Ryan Phillippe

My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
To me, White Boy Shuffle is sort of like Catcher in the Rye, the story is so universal.
'Catcher in the Rye' changed my life when I was a kid. I read it as I was a boy turning into a man, and I was so fascinated by the values. I believe in it.
I had English grammar book and started to teach myself. I read 'Catcher in Rye,' in Russian. I was amazed at freedom in 'Catcher in Rye!' Freedom to have those perceptions of life!
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
In 1952, when I was 15 and living on Governors Island, which was then First Army Headquarters, I encountered the newly-published 'The Catcher in the Rye.' Of course, that book became the iconic anti-establishment novel for my generation.
I read a lot when I was young. All the obvious, all the greats, from 'Le Grand Meaulnes,' 'To Kill a Mockingbird,' 'Fear and Loathing,' 'Catcher in the Rye,' 'The Bell Jar,' 'The Female Eunuch,' 'Valley of the Dolls,' 'The Feminine Mystique,' Tom Wolfe. Then, film took over for me. Film was so exciting in the '70s.
Yes, you have people shouting racist abuse and throwing bananas on the field, and there are issues regarding the number of black coaches and managers in the game, but which other industry allows a young black boy the exact same opportunity as a young white boy?
I first learned that there were black people living in some place called other than the United States in the western hemisphere when I was a very little boy, and my father told me that when he was a boy about my age, he wanted to be an Episcopal priest, because he so admired his priest, a black man from someplace called Haiti.
Very few teachers or leaders in my small Michigan community ever discussed the issue of 'The Catcher in the Rye,' and certainly no one came to the 1951 Novel's defense.
When I was young I was one of the second generation of black people in Holland. My father was the first. My mother was white, and living with a black man at that time and having a how-you-say half-caste boy is not easy.
I never show my books to Ricky. His writing is very different, and anyway, he's only read one novel in his life: 'The Catcher in the Rye.'
I managed to get a short film with Channel 4 Films. I cast a young actor who'd done a bit of television before, a young actor called Ewan McGregor. That was very first thing. This writer had won this competition, and I made this little short, black and white movie. I think for both Ewan and I it was the start of our careers.
I'm not one that believes that affirmative action should be based on one's skin color or one's gender, I think it should be done based on one's need, because I think if you are from a poor white community, I think that poor white kid needs a scholarship just as badly as a poor black kid.
Angry Black White Boy is bananas! Actually, it's a banana split with razor blades in it. Adam Mansbach is the white Richard Wright, and Angry Black White Boy is our generation's Native Son.
If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that.
The thing I miss about Russia the most is what is called 'black bread.' It's rye bread, and everyone eats it. I slice mine up and put sunflower oil and salt on it... the best thing ever. It was like a little treat for me when I was a kid.
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