A Quote by Ryan Phillippe

I am miserable when I'm in a movie I'm not proud of and a movie that I don't want to do. — © Ryan Phillippe
I am miserable when I'm in a movie I'm not proud of and a movie that I don't want to do.
Here is the thing, you can make a dope movie and it may never see the light of day. I am crazy proud of my first movie.
I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.
The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that.
When I am working on a movie, all I want to talk about is the movie. All I want to be with are the movie people. It's like a clan. If I'm asked to people's houses for dinner, I hate to go, because they'll talk about other things.
When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.
I never get tired of talking about 'Galaxy Quest.' I am so proud of that movie. Our only fear was that we were having so much fun making the movie we got concerned it might not be as good as we thought it was going to be.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.
I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
Coco' is a really amazing movie. The research was made with so much respect. I enjoyed the movie because I know about what they are talking about. I am really proud to be part of the film.
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
Sivaji' was a fantastic movie. It is one movie I am going to take back to my grave and like a greedy actor, I want more such movies in my career.
The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.
This site uses cookies to ensure you get the best experience. More info...
Got it!