A Quote by Ryan Phillippe

A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making. — © Ryan Phillippe
A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.
Everything that goes into making a film, when it's the finished product, us as the actors look at the film and go: "Oh man, OK, on that day we were doing whatever the circumstances were on that day...." So much goes into it and it's all so incredibly calculated that the behind-the-scenes chemistry that exists between all of us is sometimes forgotten - you can't act that. We've all come together and held hands through each of the processes that I've been a part of.
I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.
Making a film - particularly what I think is a good film - is the result of a team of people, and the end result has many, many hands on it.
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
I love you," she sobbed, rubbing her hands over his face, his hair, his chest, making sure he was solid and real. "I love you, and I thought you were dead. I couldn't bear it. I thought I would die too." "I'd walk through fire for you," he rasped, his voice hoarse and broken. "I have walked through fire for you.
The basic idea of making this film was that even if one person is touched by the thought in the film, then my job as a storyteller is done.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
Eventually, the outcome of a film is not in my hands. What I do while making the film is in my hands, and that is what translates onto the screen.
Sitting in the darkness of the cinema, I got to see another world. This imaginary world was a refuge for many of us. Of course, the films were controlled and censored by the regime. But I still thought, around this time, that maybe making films would be good for me. I thought of expressing myself through this medium, and of doing something for the Kurds. The options were clear: either I'd work as a lawyer under the Baath regime or make movies independently.
A well-thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.
Any individual decisions can be badly thought through, and yet be successful, or exceedingly well thought through, but be unsuccessful, because the recognized possibility of failure in fact occurs. But over time, more thoughtful decision-making will lead to better overall results, and more thoughtful decision-making can be encouraged by evaluating decisions on how well they were made rather than on outcome.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
Whatever else I might have thought of [President George W] Bush's call, with its assumption that prayer is some sort of miracle Vicks VapoRub for the national charley horse, it's clear that his hands were reaching for any hands but mine.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
On 'The Spy Who Dumped Me,' it wasn't fear as much as it was feeling overwhelmed because there were so many moving parts. But I felt that I knew what I was doing. And on a movie like this, there's so much preparation that goes into it that by the time you were there, you had done months of planning.
I've done so many pilots I thought were good that didn't work, and so many that I thought were bad that did work.
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