A Quote by Ryan Potter
I haven't been in the film world long enough to really understand the gravity of 'Big Hero's' success. I'm just happy that it is translating well internationally and that the story and the characters are loved by audiences around the world, and everything that's come after that has been secondary to the initial response.
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I mean I think that when you've got a big brain, when you find yourself planted in a world with a brain big enough to understand quite a lot of what you see around you, but not everything, you naturally fall to thinking about the deep mysteries. Where do we come from? Where does the world come from? Where does the universe come from?
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
All my life, I have loved and been inspired by French cinema, and as a studio head it has been my pride and joy to have the ability to bring movies to audiences around the world.
For a moment, I thought of the word happy and it was a word that just, well, it felt like it was visiting me. I knew it wouldn’t last for very long and I’d be sad again and then it would be worse because it’s one thing to be sad and it’s another thing to be sad once you’ve been happy. Being sad after you’ve been happy is the worst thing in the world.
Once you really understand your role... that's why I think actors get lost in a series. Everybody wants to be the quarterback or the game-winning wide receiver. I've been around long enough and done enough stuff to where I don't feel that way. I just want to do what I do as well as possible.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
The life story of the five main characters and the secondary characters around them allows Jonathan Franzen to present the full impetus and extent of the world picture of the West at the end of the 20th century.
I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.
I've been lucky enough to get a taste of the feature film world, the TV world and Broadway, as well, and see what everything is like. For me, it's very much about the character and how different it is from something I've done earlier.
All characters come from people I know, but after the initial inspiration, I tend to modify the characters so they fit with the story.
There are some audiences who are uncomfortable with the ambiguity, though. They want a film to chew their food for them, they want Hollywood endings that tie everything together in the end and answer all of the questions. They are usually people on one extreme of the political spectrum or other and they haven't been happy because the film is not polemical enough on their side. They aren't usually people who aren't interested in understanding points of view that they disagree with - they just want to attack their opponents - and I'm ok with them not liking the film.
I think that women as a group are so powerful. I still don't think we are able to embrace our power well enough yet. We think we live in a man's world and we have to follow their rules, and yet, we're so different, and our rules are so different. I wish that we could come together more as a political force. If women ran the world, I don't believe that there would be war. I really don't.... We understand the bigger picture. We understand our impact on the environment, on the world. We understand the generations that will go after us because we gave birth to them.
Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.
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