A Quote by Ryan Reynolds
This movie [ Buried] is strange, because it's such an extraordinary situation, both as a character and as an actor. Both of us are going through an extraordinary situation at the same time, and it was odd. It was weird not having a co-star to cut away to for the most part. It just forces you to never have a deficit in the performance.
Related Quotes
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
Ordinary people, even weak people, can do extraordinary things through temporary courage generated by a situation. But the person of character does not need the situation to generate his courage. It is a part of his being and a standard approach to all life's challenges.
And I've been waiting for you, because I couldn't do anything else. And we've both known that we would meet again, and then it would be all over with life and everything that gave our existence meaning and tension. A secret of the kind that lurks between the two of us has extraordinary power. It burns through the fabric of life like a scorching beam, and yet at the same time it also gives it tensile strength. It forces us to live.
We have witnessed the most extraordinary devastation. The magnitude of the situation is unbelievable. It's just heartbreaking.
I went through in the edits and cut tons of stuff that was "funny" because if it wasn't funny at the time, so it shouldn't be funny now. It's about having that unity of experience. You have to try and take away your hindsight knowledge of a situation.
My daughter could do and be anything, without having to fight to get through the glass ceiling. Without having it be so extraordinary. If my daughter went to produce a soundtrack for a movie, there would be nothing extraordinary about a girl doing it. When I did it, it was highly unusual.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?
You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.
"The Theory of Everything" is an extraordinary story because [Jane Hawing] was incredibly religious and [Stephen Hawking] was an atheist, so you have this conflict both on a domestic level between a couple in a difficult situation but also this bigger conflict of science versus religion, so it's a really fascinating project.
In Greece there is a very particular situation because on one hand the colonels took away everyone's political rights, but at the same time the economic and social situation improved.
Communicating with God is the most extraordinary experience imaginable, yet at the same time it's the most natural one of all, because God is present in us at all times. Omniscient, omnipotent, personal-and loving us without conditions. We are connected as One through our divine link with God.
Negotiating isn't about getting what you want or giving in to what the other party wants. It's not an 'either/or situation.' It's about having both parties walk away satisfied. Over the years in both business and life, I've had to learn this hard lesson.
It's strange because I'm a sex symbol to 14-year-old girls which I guess is not the most helpful situation to be in. But yeah, I've never really thought of it. It's just so funny. I mean, just last year I couldn't even get a date and then this year, the world turns and it's so bizarre that everybody just changes their mind at the same time.
One of the reasons I moved away from painting was because I eventually discovered that I wanted to deal more with motion, time, and performance - and that became a much bigger part of my life both as an actor and as a musician and someone who goes on stage and travels around the world and works on productions.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
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