A Quote by Ryan Reynolds
We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background.
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My proudest moment was probably when my oldest boy finished law school and went on to become an FBI agent. It was just beyond my imagination that - with my background - my own son would become an FBI agent.
When you experience peace of soul, with each breath you are present to the fact that this is a divine moment, a moment to shine like you have never shone before, a moment to hold the whole world in your hands with a gentle thought and a kind heart.
I was coming from a theater background. I had an obsession with classic film and cool, interesting, intelligent television. I didn't really understand the way the mainstream television industry worked. I just thought "The wire is so good that it's going to be a huge hit, and we'll get awards up the yin-yang forever." That's what I thought!
A Hamburger is warm and fragrant and juicy. A hamburger is soft and nonthreatening. It personifies the Great Mother herself who has nourished us from the beginning. A hamburger is an icon of layered circles, the circle being at once the most spiritual and the most sensual of shapes. A hamburger is companionable and faintly erotic. The nipple of the Goddess, the bountiful belly-ball of Eve. You are what you think you eat.
I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.
If it is our destiny to be hit by the train, we will be hit by the train. The only thing we can change is how the train turns us into a hamburger.
The joy and happiness it gives you or the emotions you go through when you hold your child in your arms for the first time are indescribable! I really thought that there was going be this moment when a ray of light from heaven would come pouring in, background music would start playing with angels singing, but none of that happens!
Choosing an agent is like picking a college. They give you a pitch, you hear what they've got to say, you hear what they're going to do for you. Ultimately it's a good gut reaction.
I've never had a ground-breaking hit that changed the deal. It's always been slowly but surely for me, and I've never had a moment of sheer panic when I thought I was never going to work again. So I can't really complain.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
There's a reason that you hear something like 90 percent of our country wants universal background checks, but we can't get it passed legislatively. If we had a true representative democracy, 90 percent of our elected officials would want universal background checks.
Once I thought that if you had a house on a hill with a fence and 2.5 baths and 3.5 kids, that was happiness. I naively thought that if I lived in a house like that there was no reason for me to be stressed or depressed, that the things I was experiencing would be untouchable and solved and I would do great.
If I have a hit, then I hope the people who like the hit song go out and buy my album so they can hear it all.
Hear me out. Would you eat a hamburger if there was any chance it could punch you in the face? - How is a hamburger supposed to punch me in the face? Just say that it can. Would you bother? Or would you eat something else?
'I'd like a hamburger and a coke, please.'
'Sir, we don't serve negroes here.'
'Ma'am, I don't eat negroes. I'd like a hamburger and a coke.'
Different reactions while film test screening doesn't mean even the audience thinks ambiguity is a bad thing. But if you're asking them right away to start checking things off, they don't know what to do. I think at their best, it applies to when the audience knows what it is. Then, when they say, "Oh, well, I thought it was too boring in blah-blah-blah part," then you better pay attention to it. It's like going for the hamburger. Better be the good hamburger I went for.
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