A Quote by Ryan Reynolds

I mean, Deadpool has a script, but it's a very complicated process to find the right filmmaker. We'll see. — © Ryan Reynolds
I mean, Deadpool has a script, but it's a very complicated process to find the right filmmaker. We'll see.
Finding a good script is really difficult and the scariest thing of all is when they say about a script that's not right, "we will fix it.." It's like before you get on the Titanic and you see a big hole. In process, it's too late.
We have to create a process which has legitimacy for the people of Syria. And we have to have a process where the Russians and the Iranians and the neighbors - all of them, Saudis, Turks, Qataris, a very complicated brew - that you have to bring them together and they can find agreement. That's the fundamental premise of the Geneva Communique that you will have, by mutual consent, a process of transition.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
I have the right ideas, but my words are too... complicated. I need to simplify them, so that people won't get lost in the dark when they see and hear them. I want them to shine like beacons of light in a world of overly complicated darkness. One day I will find the right words, and they will be simple.
I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.
There is no problem so complicated that you can't find a very simple answer to it if you look at it right.
'Deadpool' is massively successful because they made a very unique movie. That uniqueness and originality, try to imitate that. Not, 'How about let's try to do 'Deadpool' on a train.'
Early on, in discussions of financial oversight, people would say, 'Well, this is a very complicated problem, therefore it requires a complicated solution.' And at that step, I would say, 'Well, wait a minute. Just because it's a complicated problem doesn't mean the best course of action immediately is one that's complicated.'
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
Dopinder wants to help Deadpool fight... To become a superhero. But Deadpool right away says 'You're gonna die' and 'There's no way you're gonna do it.' So, Dopinder has to prove to him that he is ready to take on more responsibility.
Being in front of the camera, you never got to see the whole process from the conception of the script all the way through to the filming process.
I'll tell you what you need to be a great scientist. You don't have to be able understand very complicated things. It's just the opposite. You have to be able to see what looks like the most complicated thing in the world and, in a flash, find the underlying simplicity. That's what you need: a talent for simplicity.
I have yet to see any problem, however complicated, which, when looked at in the right way did not become still more complicated.
I have yet to see any problem, however complicated, which, when you looked at it in the right way, did not become still more complicated.
For me, my storyline [in Big Little Lies] is very complicated and nuanced. [The script] was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.
Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.
This site uses cookies to ensure you get the best experience. More info...
Got it!