A Quote by Ryan Reynolds

I've had the pretty good fortune of working with some decent guys and gals. — © Ryan Reynolds
I've had the pretty good fortune of working with some decent guys and gals.
My career had been split pretty evenly between good guys and bad guys until I finally grew into myself enough to play a decent antihero, where you can combine the two.
It's so pretentious, but I believe that with comedy, if you have a good story, 90% of it is casting. Once you get the guys and gals in there, it's pretty easy to make a funny movie.
One of the things I've learned from animation is that some guys are really good at writing, some guys are really good at design, some guys are really good at directing. It's almost like working in a band - not everybody plays every instrument.
Basically, I'm living the life of an actress in L.A. And I've recently had some pretty good fortune.
I was once a fortunate man but at some point fortune abandoned me. But true good fortune is what you make for yourself. Good fortune: good character, good intentions, and good actions.
Contrary to popular mythology, not all NFL cheerleaders are bimbos or strippers or bored pretty girls looking to get rich. The Ben-Gals offer proof. Neither a bimbo nor a stripper nor a bored pretty girl would survive the rigorous life of a Ben-Gal. The Ben-Gals all have jobs or school or both.
When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
I'm a very fortunate actor. I'm blessed to be the position I'm in right now. Hell, I'm blessed to be in any position, you know? There are so many guys who had good lives, great lives, and blew it...I think there are some guys who think they don't deserve to have good lives. They feel they don't deserve their good fortune, so they throw it away. One of my good friends was Chris Farley. Chris blew it. He blew the whole enchilada.
I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.
There's a lot of young guys coming along, but I'd like to say to the various financiers, don't forget the senior guys. The senior guys and gals are there, willing to do their best work for you.
When I was younger, I liked guys who had a good personality and decent looks.
I'm one of those fortunate actors who gets to work pretty much every day. I've had a run of good fortune and work with some terrific people who have hired me.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
We had some pretty good at-bats off Carpenter. We just couldn't find any holes. That's the way it goes sometimes. We were able to get some guys on but weren't able to get them in early. We did some little things right, we got some guys on, we got some walks. We take it one batter at a time and everybody tries to stay within their own limitations. We did that, we just didn't get the big hit to get them in.
Fortunately, our audiences are used to a kind of boredom in the theatre, and if the writer is skillful, he will flatter them into thinking: 'Why, that's us up there, and aren't we - for all our little foibles - pretty nice guys and gals?'
I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.
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