A Quote by Ryan Reynolds

By the time I came to L.A. I'd already cried on movies of the week with two of the women from 'Knots Landing'. — © Ryan Reynolds
By the time I came to L.A. I'd already cried on movies of the week with two of the women from 'Knots Landing'.
Everything I have in life comes from Knots Landing.
Knots Landing is the best thing that ever happened to me.
You talk about crying! The spring of 1988, I spent a fair length of time trying to come to grips with who I was and the habits I had, and what they did to people that I truly loved. I really spent a period of time where, I suspect, I cried three or four times a week. I read Men Who Hate Women and the Women Who Love Them and I found frightening pieces that related to...my own life.
Life is like a piece of string with a lot of knots tied in it. The knots are the karma you're born with from all your past lives, and the object of human life is to try and undo all those knots. That's what chanting and meditation in God consciousness can do. Otherwise you simply tie another ten knots each time you try to undo one knot. That's how karma works.
I left Mainz after 18 years and thought, 'Next time, I will work with a little less of my heart.' I said that because we all cried for a week. The city gave us a goodbye party, and it lasted a week.
Economics drive the creative, and for a long time, movies about men were just considered 'movies,' whereas movies about women were considered niche and only appealing to women. This is to an extent still true, and what it does is represent movies about women as less profitable.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
You know, when they called me about the role, I thought Knots Landing was a show about a houseboat with Andy Griffith!
In college, I was a cartoonist at 'The Daily Northwestern.' So I draw myself. I was an animator. But basically, I went to Northwestern to major in English, wound up in college for two years. Studied animation there. Came to Disney. My first week at Disney was the week that 'Star Wars' came out.
Making knots. Making knots. No word. Making knots. Tick-tock. This is a clock. Do not think of Gale. Do not think of Peeta. Making knots.
For women, eating just two handfuls of nuts a week may extend their lives as much as by jogging four hours a week.
I cried over beauty, I cried over pain, and the other time I cried because I felt nothing. I can't help it. I'm just a cliché of myself.
If you can walk away from a landing, it's a good landing. If you use the airplane the next day, it's an outstanding landing.
'Venus,' which is a Roger Michell film - my first scene was with Peter O'Toole, and I cried. That was basically my part. I came in, cried in a white wig, and then left.
Now, I've never flown in space; but the folks who have say that on landing day, you know, you've just spent maybe a week and a half, sometimes two weeks in orbit and you're used to the things happening slowly in space.
If each of your time steps is one week long, you are not modeling the stock price terribly well over a one-week time period, because you are saying that there are only two possible outcomes.
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