A Quote by Ryan Stiles

I did standup for a lot of years, too, but when you come out as a standup, you get the feeling from a crowd - it's a kind of a 'make me laugh' attitude. But when you come out as an improvisor, they realize that they're suggesting everything you do. So they're already invested in the scene, and they actually want it to work.
Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'
If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.
I'm a standup comedian who gets to act. I'm never going to not do standup. I love doing it and when I go through periods where I'm doing a lot of acting work, I still do standup.
If you're going to be a good standup, or a successful standup, or a standup who can work for money, you have to eliminate the possibility of dying quickly.
I'm now unemployed. It's a weird feeling with no work, but at least there's still golf. Standup comedy is like my core, it's what I do. But I want to be a pro golfer. It's a love/hate relationship with golf. I can come away feeling so serene, and yet, it's the thing that I can let get to me to throw a club and say curses that don't even exist. I'm obsessed with something that won't let me master it. I don't know. I need therapy.
When I was doing standup, I always wanted to get out of the standup world and take it back into the theatrical world, like with "No Cure For Cancer."
When I was doing standup, I always wanted to get out of the standup world and take it back into the theatrical world, like with 'No Cure For Cancer.'
I did a gig as a standup when I was eight years old. I went on holiday with my family to this holiday camp and they had a talent competition and I entered as a standup.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
If you like standup and decide that it's overtaking your life and want to hate it, watch 1,000 standup comedians who are trying to get on a TV show.
I got into standup because I wanted to be an actor, and then I ended up loving standup for the next eleven years.
I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
I never decided I wanted to be an actor. I just started doing standup because I love standup. Everything else has sort of been these tiny steps leading to this.
I think there's a percentage [of the audience] that don't realize, that don't know that [standup] is how everything began. We planned it, we work hard, rehearsals to get this. It's more of a ... it's not just coming in there in a T-shirt and holding a microphone.
Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.
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