A Quote by Ryan Tannehill
The more confidence you get as far as games under your belt, time spent with the guys, time in an offense, dealing with all the bull crap that you deal with in this profession. At some point you're kind of like, 'Screw it. I'm going to be me and do everything I can to win and if they don't like it, then oh well.
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I've had sex before with the belt on. That was back in the Ricco Rodriguez days. The night I won the belt I had a sexual experience with the belt on. But hey, I was 25 years old and it was the biggest thing that ever had happened to me in my life. The girl was like hey, are you going to take that thing off. And I said no, I'm not...I'm wearing it and if you have a problem with it, then I'm leaving. And I hate to say it, but if I do win the belt again, then this time it's never coming off. I'm going to wear it a lot more.
We've had to deal with so many complications. We're still dealing with them. And what can we do? Nothing - well, unless we take your side's point of view and make deals with the devil. But why? Why can't we make deals with God? People do all the time. 'God, if you do this for me, I promise to be good.' Stuff like that. Yeah, but I don't see any contracts like you guys have. No hard evidence that it works. How come we can only get things we want by being bad? Why can't we get them by being good?
I find, a lot of the time, kids can get stuck on, 'Oh no, he doesn't have blue eyes,' with books. You're kind of like, 'Well, that you're going to get over by the time the movie comes out.'
What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.
To win a major tournament you have to face the top teams at some point, but if you avoid those at the beginning then you can win games and build confidence. I think the key is just to get off to a good start.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
The more downtime we have, the more time you have to play games like 'Ghost Recon Future Soldiers,' so for me it's a fun way to get integrated into video games and for me to have fun with my buddies and team up and go into battle with 'em, kind of like out there on court.
I've had plenty of friends tell me that their first time doing stand-up, they do well, and then they tank for a while after that. Kind of like the first time you do a drug, you're like, "Huh! This is pretty darn good," and then you spend all your money trying to get the same high.
Getting games with PSG was just a confidence booster for me. Coming into the national camp, I didn't expect to get as much game time as I'm getting. But I'm glad the coach has so much confidence in me to get me out there and get me some games.
A lot of actors lack confidence - even if you're doing really well, you kind of feel like this might be your last job. I enjoy the feeling of, "Maybe I've bitten off more than I can chew," and then working really, really hard and thinking, "Wow, I like that. I did that." Don't get me wrong, I'm not the kind of person who jumps out of planes and enjoys bungee jumping or anything like that, but I definitely enjoy living quite spontaneously and going with the wind.
Every time I throw, I hate to miss. It's like those timing games in the arcades. I win every single time. Guys watch me and they pay me to keep playing.
Shouldn't you be able to tell your stories from your point of view? We're dealing with that with 'Looking' where some queers are like, 'These guys are so boring! They don't represent me!' But no show can represent everything, so is it OK for us, in 'Looking,' to write about these three men and their world?
For a short period of time, I was like, I have these jokes and if people get them, they get them. And then eventually, I was like, Oh no. It's absolutely my job to convey to people why what I think is funny, is funny. The whole point of standup is to get the audience to understand your weird point of view.
Whatever the offense dictates to allow me doing what I or this offense needs to do to win games, I'm going to do it.
I would push purchasing power - you push out $1,000 of purchasing to those people, it's going to get - it's going to get spent. And it needs to be spent. They need it. And it should come, to some extent, from guys like me.
I always get ‘What’s wrong?’ or ‘Lighten up.’ Half the time, when guys tell me to smile, I’m not even frowning, I’m thinking! Then I’m like, Oh! Some men don’t want women to think! Do they all have walkie-talkies? Are they all in this together? Like, ‘OK, she’s thinking, someone say something. She’s reading, go distract her.’ It starts feeling like that sometimes, doesn’t it?
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