A Quote by Ryan Tedder
The only thing contrived is the production - you can over-produce to the point you kill a good idea, you can under-produce so that the song's amazing but you'll have folks at a radio station saying they won't play it, so there's this balance, and it has to be true.
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It's one thing when you're driving to go play at a radio station and you hear it on that station. It's another thing when you're just out in the middle of nowhere, and the song just comes on the radio, and you're like "Oh my God!"
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
As individuals express their life, so they are. What they are, therefore, coincides with their production, both with what they produce and with how they produce. The nature of individuals thus depends on the material conditions determining their production.
I don't play any instruments. I don't produce. I don't know which keys or chords I am using, so, in essence, I need the band and the production team - otherwise, I am just some guy with a hat and a song.
I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.
Anyone can produce a new fact; the thing is to produce a new idea.
It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.
Our universities should produce good criticism; they do not or, at best, they do so only as federal prisons produce counterfeit money: a few hardened prisoners are more or less surreptitiously continuing their real vocations.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
CO2 from air can replace petroleum: it can produce plastics and acetate, it can produce carbon fibers that replace metals and clean hydrocarbons, such as synthetic gasoline. We can use CO2 to desalinate water, enhance the production of vegetables and fruit in greenhouses, carbonate our beverages and produce biofertilizers that enhance the productivity of the soil without poisoning it. Carbon negative technology is absolutely needed now.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
Menstruation not only carries with it the connotation of a productive system that has failed to produce; it also carries the idea of production gone awry, making products of no use, not to specification, unsalable, wasted, scrap.
There's been a number of erroneous biographies, articles and so on written about Billy and we both thought it would be a good idea to produce a true one.
The first time I ever had a song play on a legit radio station, I think I was about 13. It was a song of mine that I had written called 'Young Blood.'
In terms of creative engagement, I just love being able to produce, produce, produce. You don't always get it perfect, but it has much more of an improvisational element, and you learn.
The true test of all the arts is not solely whether the production is a true copy of nature, but whether it answers the end of art, which is to produce a pleasing effect upon the mind.
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