A Quote by Ryan Tedder

Any time you have a song that is directly connected to a very specific musical trend of the moment, you have immediately cut it off at the knees, doesn't matter if it goes to number one in the world, if you're too attached to a production style.
"The way I feel about music -- any song, any style -- is that there is no right and wrong, only true and false. If the music and lyrics are conceived out of honesty and if the production of the song goes along with its original message, then what has been expressed is art, regardless of what anyone's opinion is of it. So things are a lots impler if you just tell the truth.
Britain cannot afford to cut itself off from what is going on in the world, we are too interconnected with what is going on, we have a powerful history and tradition of taking an interest in what is going on in the world, we've also got a very real interest in the future, in remaining connected.
We wanted a musical number that would capture the exhilaration of being out on a boat as they were and sailing with the stars and all that. So that's the origin of We Know the Way. From very early on we said, for an audience that doesn't know this, what we need a song that can really have the kind of sweep and the, you know, pull you in. So that was early on, we conceived of like that should be a musical moment [in Maona].
I don't know of any situation where you're going to have an officeholder in a country of eight million people who's cut off at the knees by the most powerful force in this world and who can still make it fly.
Strangely enough, when the Sugababes' 'Freak Like Me' went to number 1, which was built around my 'Are 'Friends' Electric' song, I had another song called 'Rip' go to number 1 in the Kerrang TV chart, so I was pulling new people in from very different areas of musical interest. That was quite an amazing week.
Tokyo style is so specific. And I'm a very big fan of their history. It's pretty simple. A lot of the time, people expect to see the wild style that comes out of Japan, but I think, traditionally, the style is very simple.
Sometimes I feel like there isn't enough Prozac in the world to make Environmental Protection Agency people feel better about their jobs. They're going out there, they're trying to protect Americans and then time and time and time again they get their knees cut off at the policy level.
I’m pissed off at my Republican family back in North Carolina, several of whom came to my wedding, but who went right back and are voting for homophobes and acting like it doesn’t matter. It does matter and it’s time for the queers in this country to start saying so to their families. I think we’ve all cut them too much slack for far too long.
I was attached to the SAS from time to time, but we are forbidden - former, present, or future - to discuss any specific operations.
I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool.
I think no matter what you do you go through stages when you play. There was a number of times when I didn't do very well or was tired. It was too much to combine school and tennis altogether. Parents need to step in and say, take a little time off, do something fun.
I've got certain responsibilities that I have to carry out in a very specific institution and in a specific moment in time.
You have to write a song around this specific character or to enhance a specific scene. A lot of other craft goes on.
Music is a total constant. That's why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in your or the world, that one song says the same, just like that moment.
The quality of events surrounding you in any given moment in time may be reflecting specific beliefs that you hold in that moment of time.
Charlie Puth. I love his song writing style - modern but classic production style with catchy hooklines.
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