A Quote by Ryan Tedder
I think often times if a guitar riff is centered around the chorus or if it follows the chorus, then it often times turns into the actual hook.
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When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
I almost gave up on 'Door' so many times. I couldn't crack it. It started out as a simple song with just a chorus-verse-chorus. I felt like it needed to transform more.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
I often find myself writing little ditties I can imagine becoming rap songs. Not the actual rapping part, just the chorus.
The thing is, the way we write is all jams and bits and pieces that get pieced together and sometimes things are written with intentions of being a song, and then all of a sudden the main riff of this song, six months later turns into a verse or a chorus of another song.
Sometimes I'll have sections that I'm not quite sure how they fit in the puzzle of a tune, they'll get moved around; what I think was originally a verse ends up becoming the chorus, or what's an intro gets dropped as a hook, things get shifted around a lot.
Well, I tell you... the first chorus, I plays the melody. The second chorus, I plays the melody round the melody, and the third chorus, I routines.
A riff can take on the aspect of a chorus in a listener's psyche.
To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
I always look for a "rhythm" in my writing. A cadence to the sentences. Sometimes I think of pieces I write in a song writing infrastructure - i.e., a verse, a chorus that I return to, a bridge that's something differenct, a chorus that I return to.
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
Alice thought to herself, 'Then there's no use in speaking.' The voices didn't join in this time, as she hadn't spoken, but to her great surprise, they all thought in chorus (I hope you understand what thinking in chorus means--for I must confess that I don't), 'Better say nothing at all. Language is worth a thousand pounds a word!
Our little solos are a note in an immense chorus vibrating grandly through the universe, a chorus which accepts and harmonizes the whir of the cricket and the long drum-roll of the stars.
Chorus Line' opened things up a bit. Any show that's successful does that. But 'Chorus Line' was about dancers.
Bid a singer in a chorus, Know Thyself; and will he not turn for the knowledge to the others, his fellows in the chorus, and to his harmony with them?
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