A Quote by Ryan Tedder

I am not opposed to doing a side project, like Death Cab for Cutie, where it's completely different from my own band. — © Ryan Tedder
I am not opposed to doing a side project, like Death Cab for Cutie, where it's completely different from my own band.
XTC is my favorite band; I'm a huge Neil Young fan, Jayhawks, all that type of stuff. I like Death Cab for Cutie, also Ryan Adams. I try to impress my children: 'Have you listened to such-and-such?' They're not impressed.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
A double leg in MMA is completely different than what you would do in wrestling because the posture's different. You're standing upright as opposed to bent over; you're slipping a punch as a opposed to grabbing a guy's elbow and doing a traditional elbow pull or slide-by in wrestling.
Marketing is what gets you noticed, and that side of it something - this side of it, if you like, doing interviews - is the side of it that I least enjoy, and yet is 50% of the project.
I think there's really healthy ways to segue into different roles and different genres. I'm not completely opposed to shaving my head and doing something crazy.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
That's a different side of the brain going into the studio, as opposed to doing a live show, obviously.
Death Cab is a militantly analog band. We'll continue moving forward with our sound, but there will be no crossover.
With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.
Wrestling is pretty DIY. I've been doing it for 12 years, completely on my own. It's like being in a band or running a zine - except that I get to kick people in the face.
When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
It's all about knowing your audience. When I buy a record by a band and it sounds completely different, I'm just like, 'Why didn't you change your band name?'
Every project has to stand on its own. It's a different identity within each project, and I feel like that's the way it should be.
It's really exciting and kind of special, especially having our own band. It's just completely different.
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