A Quote by Ryan Tedder
I think the best songs are being written by the very under-stated, under-appreciated indie artists. The thing that separates them from mainstream success is they either consciously or unknowingly refuse to deliver on a big chorus.
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There are some pop songs I hate but I can't get them out of my head. Our songs also have the standard pop format: Verse, chorus, verse, chorus, solo, bad solo. All in all, I think we sound like The Knack and the Bay City Rollers being molested by Black Flag and Black Sabbath.
They praise these tiny indie bands, but if a band finally gets mainstream success, the same people who praised them attack them for 'selling out.' People often play at being nonconformists to mask their own feelings of not fitting in.
I think there are a lot of artists that are very traditional. I think someone can be a fan of someone like Josh Turner and then turn around and be a big fan of someone like Taylor Swift because, at the end of the day, it's all about those songs. I feel like country music has the best songwriting and the best songs of any genre.
Sometimes it's just the creative intent of an artist or band that inspires me. I'm generally drawn to artists or bands that put themselves out on a limb somewhat and do something that infuriates both the mainstream and the indie purists, but that can't necessarily be classed as either. To me it seems somewhat convenient to be on either end of that scale.
I feel like a lot of artists these days are going out with being a feminist and making it cool, and being outspoken and letting it be mainstream, which is a great thing. I absolutely think it should be mainstream to be a feminist, it should be a no-brainer to speak up about stuff and have a voice.
The record company doesn't know what to do with me, because I'm not a Lily Allen, but I'm not really an indie artist, either. All the best artists have been in the middle.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
It's wonderful to be appreciated for being quirky, and to see Zooey Deschanel and the quirky, indie film types get mainstream play is amazing for women, because women are much more complicated than what we've see on TV in the past.
We always try to sing what we feel, and it would be best if we can become artists who can deliver the feeling through our songs.
Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.
The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.
Country music especially can get very formulaic - you know, you have to have your verses and a bridge and a chorus, and a lot of the songs are written as just plain and simple poetry on the road.
You're taught - consciously or sub-consciously - to make an indie so you can get through that terrible process and get to Hollywood. I realized when I got there, 'Oh, no; I think I'm better over here.'
I was more of kind (who was better at) building businesses and selling them. That was a big thing for me. I was very good at that. I wasn't good as a boss. I was either your best friend or your worst enemy. I didn't balance the two very well. (So) I sold them.
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