A Quote by Ryszard Kapuscinski
in reference to Persepolis and all palaces, cities and temples of the past: could these wonders have come into being without that suffering? without the overseer's whip, the slave's fear, the ruler's vanity? was not the monumentality of past epochs created by that which is negative and evil in man?
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It's not the suffering of birth, death, love that the young reject, but the suffering of endless labor without dream, eating the spare bread in bitterness, being a slave without the security of a slave.
We see then how far the monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not the verses of Homer continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities have been decayed and demolished?
Mindful grief means mourning and letting go of the past without expectation, fear, censure, blame, shame, control and so forth. Without such mindful grief, neither past nor person can be laid to rest.
Civilization is an active deposit which is formed by the combustion of the Present with the Past. Neither in countries without a Present nor in those without a Past is it to be discovered.
Face the past without regret, the future without fear, and live in the present with gratitude.
The man who has lived his life totally, intensely, passionately, without any fear - without any fear that has been created in you by the priests for centuries and centuries - if a person lives his life without any fear, authentically, spontaneously, death will not create any fear in him, not at all. In fact, death will come as a great rest. Death will come as the ultimate flowering of life. He will be able to enjoy death too; he will be able to celebrate death too.
Civilization is an active deposit which is formed by the combustion of the Present with the Past. Neither in countries without a Present nor in those without a Past is it to be encountered. Proust in Venice, Matisse's birdcages overlooking the flower market at Nice, Gide on the seventeenth-century quais of Toulon, Lorca in Granada, Picasso by Saint-Germain-des-Prés: there lies civilization and for me it can exist only under those liberal regimes in which the Present is alive and therefore capable of assimilating the Past.
Near this spot are deposited the remains of one who possessed beauty without vanity, strength without insolence, courage without ferocity, and all the virtues of man, without his vices. This praise, which would be unmeaning flattery if inscribed over human ashes, is but a just tribute to the memory of Botswain, a dog.
In the past, the imperialism of the West, like that of the rest, was often difficult - for the doers as well as for their victims - but western states were, nonetheless, usually able to dispatch forces overseas against non-western peoples without any fear of being attacked themselves. That kind of immunity is probably now a thing of the past.
And could I look upon her without compassion, seeing her punishment in the ruin she was, in her profound unfitness for this earth on which she was placed, in the vanity of sorrow which had become a master mania, like the vanity of penitence, the vanity of remorse, the vanity of unworthiness, and other monstrous vanities that have been curses in this world?
You need fear and doubt to drive you on. Without it, you end up living in the past and being happy with what you have achieved.
When I tried to imagine being beautiful, I could only imagine living without the perpetual fear of being alone, without the great burden of isolation, which is what feeling ugly felt like.
Man is diminished if he lives without knowledge of his past; without hope of a future he becomes a beast.
Where in this wide world can man find nobility without pride, friendship without envy, or beauty without vanity?
If we traverse the world, it is possible to find cities without walls, without letters, without kings, without wealth, without coin, without schools and theatres; but a city without a temple, or that practiseth not worship, prayer, and the like, no one ever saw.
In the early 21st century, it is easy to condemn the Bond books for being racist and imperialist, sexist and misogynist, elitist and sadistic. But this is merely another way of saying that we cannot understand the Bond books without reference to the personality, the outlook and the 'Tory imagination' of the man who wrote them, and to the time in which he wrote them; and that we cannot understand the 1950s and 1960s without some reference to them, and to him.
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