A Quote by Ryuhei Kitamura
Wherever I make a movie, no matter what size it is, it's always about a straightforward communication with the producer.
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It doesn't matter where you make movies or what the size of the movie you make is. It's a very hard job - especially director.
I made a life-size drawing of King Kong's head which was about eight feet-by- six feet. I tried to measure the head (scaled to other things in the movie I could estimate the size of) that was in the movie in the early '30s, and I liked that I was making something "life-size" that was kind of a fictional thing.
A producer is supposed to generate an idea for a movie. And then they're supposed to create the team, the group of people that are gonna make this movie. And within that team, the producer has to have a creative vision and a fiscal vision, and they have to adhere to both things.
The truth of the matter is - when we look at things - every movie we do - no matter what the subject matter is - we go to the universal theme of family. We always go to that because if the movie is about family, then any audience can relate to it.
I never let the media dictate my identity, so the fact that I'm a size 14 or a size 2 or a size 8 or a size 4, I kind of rock and roll. It doesn't matter to me.
A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing.
I have always wanted to make a movie, in fact I always wanted to direct someday. But I never thought I would be a producer.
I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
To me, I always felt like I was carrying a torch for women of any size to be themselves - it doesn't matter whether you're a size 2 or a 22, just be who you are.
When I look at a character, I never look at the size of the role. I always look at the whole person, no matter how much they're featured in the movie.
It doesn't matter my size. It's more a mindset. That's what people don't understand. It's the size the media talks about, but they don't know my heart.
I thought clarity of communication was the most important thing in writing, and if you really cared about getting your idea across, you would say it in the most straightforward way possible. Later, in college and grad school, I came to realize that language is a technology like any other, and that it's always evolving - clarity of expression is always evolving.
No matter what you do in life, you want to make it boom. It can apply to anyone. Wherever you at, you always got to grow.
For me, no matter what movie I make, no matter what the genre or the budget, they all have the same theme at their core: fear of death and happiness about living.
There's no such thing as a standard size movie star, or woman for that matter.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
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