A Quote by Ryuichi Sakamoto

I've realised that if it is to remain relevant, contemporary music needs to change. — © Ryuichi Sakamoto
I've realised that if it is to remain relevant, contemporary music needs to change.
Our education system must promote nationalism but should be modern and relevant to contemporary needs.
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I think that what is important is that the music be honest and direct and that it is relevant to today. I think music needs to be of its time and speak to that time.
My agenda will never change from making good music and staying relevant.
When I was 10 I went to the Drakensberg Boys Choir School, which is this idyllic Harry Potter-esque music boarding school in the mountains in South Africa, and that's when everything started to change for me and I realised that music is my thing.
The best music you make is relevant to the culture you are in, the timeframe you are in. I want to keep it as relevant as possible.
It's such a smart decision for comedy to not try to be relevant or contemporary.
All my films have raised questions on issues that are contemporary and relevant to our times.
Once I grew up and realised 'What am I doing?' I started re-listening to the music I was playing and I realised there was so much finesse - it was dynamic and simple but I wanted to be authentic to the original songs.
It's not what you have to "do" that needs to change. It's first how you "think" that needs to change. It's who you have to "be" in order to "do" what needs to be done.
All great music is contemporary. If it's still alive and kicking, then it's contemporary. If it fades away, it was a period piece. It had its moment, and that was it.
No, it's interesting to remake a film for the contemporary audience today. I think it's a good idea; it needs to respect the original idea. Don't just take the title and change everything else.
The musical culture in the United States has no doubt suffered severe setbacks, especially in funding, since the early 2000's. However, I've been amazed at the resiliency of those involved with contemporary music in this country. I think composers and those dedicated to contemporary music have reacted with tremendous creativity and resourcefulness.
Thus, if a composer wants to produce music that is relevant to his contemporaries, his chief problem is not really musical, though it may seem to him to be so; it is a problem of attitude to contemporary society and culture in relation to the basic human problem of learning to be human.
Religion is a valid inquiry; whether society accepts it or rejects it, it doesn't matter. Man is a religious animal and is going to remain that way. Religion is something natural. To ask from where you come is relevant; to ask, 'Who am I?' is going to remain relevant always. But the modern mind has created a climate of atheism so you cannot ask such questions. If you ask, people laugh. If you talk about such things, people feel bored If you start inquiring in these ways, people think you are slipping out of your sanity. Religion is no longer a welcome inquiry.
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