A Quote by Ryuichi Sakamoto

We musicians often get inspiration from films and books or photographs, not only by music. — © Ryuichi Sakamoto
We musicians often get inspiration from films and books or photographs, not only by music.
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
Creating films and photographs through situations that few others could experience is my life's inspiration.
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
That's for non-musicians to say: "I only listen to this or that type of music." I think musicians love all music, or at least that's my case.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
Music and books were my inspiration too. I read avidly as a kid. And that's the beautiful thing about books and music and even movies, is that you can actually escape. You can go into other worlds.
I do have shout-outs to bands and musicians I like in my books, but the musical references can be misunderstood. Often, I have people listening to music that I would never listen to personally, because it fits and defines their character.
I get inspiration from literally everything and anything. I take inspiration from people, relationships, stories, and I take inspiration from movies I see, books I read and songs I hear.
I really enjoy English and poetry and writing classes. You do get writer's block when you're writing music, and having inspiration from other great writers is great. You have to look for inspiration because sometimes music isn't the only thing that you can look at.
The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
Inspiration comes from books, music, films and of course, living memories and life experiences, my own and those of people I've known or met; the casual glimpse from the stranger or the life and death of the close relative; to breathe, for a moment, a Chekhovian air, it's all song and ice.
You don't do background music the way a lot of more conventional films do. The music is often kind of a character in your films to the extent that sometimes you stop and watch someone perform a song.
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting the notes lead them from one place to another. Taking still photographs is like that. It is a generative process. It pulls you along.
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.
We all draw inspiration from women whose names make the headlines and whose stories are in the history books, but often our greatest inspiration comes from our mothers, grandmothers, aunts, teachers, and friends.
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