A Quote by Ryuichi Sakamoto
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
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I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
Back in the day, music imitated life. Now it's the opposite way around: life is imitating music. It's like whatever the rappers say, people think that that's how we're supposed to be; but back then, we kind of looked at the streets, and we made music for that.
I can have a song with Ariana Grande that is going to be the song for all the kids and the teen girls, and then another song that could be for a different group of people who all love the song. I'm with whoever. Whatever type of people want to love the music and whatever they love about the music is fine with me.
I can have a song with Ariana Grande that is going to be the song for all the kids and the teen girls, and then another song that could be for a different group of people who all love the song. Im with whoever. Whatever type of people want to love the music and whatever they love about the music is fine with me.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
I could see how artists like Parliament would revisit the same music and kinda change it a little bit, change the words and hook, and it'd still be that same flavor. A lot of groups back then would make another song that sounded very similar to a song they already had. Ohio Players used to do it.
When writing music for the 'Kaddish,' I evoked the prayers that were sung in Eastern Galicia, Ukraine and Romania. I was advised by my late friend, Boris Carmeli... He would sing me various melodies that were sung by his grandfather, thus they had to be at least as old as the mid-19th century.
For me, I like old-school rap music. There was a time when music was so, so rich overall, and the content of what people talked about was so deep on every level, song-for-song, pound-for-pound, and on radio, there was so much content. I gravitate more towards that type of music, to be honest.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Music is shared. It's a shared feeling; that's what music is all about. When you listen to a song with someone else, it becomes more than just a song. It defines relationships.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.
My father owned a music store when I was growing up in Rock Falls, Illinois. He could play all the instruments, which you had to do when you owned a music store back then. One day, when I was three years old, he took me to a parade. When the drums passed by, I got so excited I told him wanted to learn to play them.
I'm extremely happy about music altogether, and the history that I've made. How I changed the world, music-wise, music over the internet and stuff like that.
If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.
So, we've gone from covered wagons to going to the moon in just under 100 years. For all the centuries and thousands of years before us, people walked or rode horses, cows, camels or whatever. This so-called modern era, from the late 19th century through now, has been the period of the most amazing development, discovery, innovation and acceleration of change that humans have ever experienced. And it hasn't slowed down yet.
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