I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.
I grew up in a low-income area of Tokyo. Like most homes in Tokyo, ours was small. It was a free-standing, two-family rental duplex built 30 years earlier.
My mother is Afro-Caribbean and my father is Caucasian-American, and I was born in Pennsylvania and moved to the Cayman Islands when I was about 2. So I grew up there with my mother, and it's really all I know. I grew up there until it was time to go to college, and that's when I moved back to America.
I grew up born and raised in Las Vegas and actually grew up skiing. You know, we've got some ski resorts close to Las Vegas, up in Mount Charleston or Brian Head, so I grew up skiing and snowboarding.
In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
I know so much about Los Angeles. I grew up here, I was born here, I loved it, and I reported on it.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
I grew up in the countryside in Saitama prefecture, north of Tokyo.
We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?
You know if you're in Rome, live in the Roman way. I grew up there, I was born there, and so I should follow its guidelines, live like a Korean. And I really love Korea. I grew up listening to Korean music, and was able to get to where I am because of it.
I really love nature. I grew up in the country. But one of the things about nature is that it is beautiful but it's also very dangerous.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I can't give up the allegiances I grew up with, given where I was born and where I grew up, but you won't see me at a Rutgers game rooting for somebody else. Let's put it that way.
"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
It sounds like a cliche, but it... you do sing about what you know about. And I grew up in a small town, and I grew up in a place where your whole world revolved around friends, family, school, and church, and sports.
You write about what you know. It makes everything easier, and also more truthful. In this case, I grew up in Oklahoma, and I grew up in the Cherokee Nation and I'm a member of the Cherokee Tribe. Oddly enough, I know a lot about robots and Oklahoma, and so that's what comes out in my writing.