A Quote by Ryuichi Sakamoto

I'm lucky that I have people listening to my music, waiting to see me in North America. — © Ryuichi Sakamoto
I'm lucky that I have people listening to my music, waiting to see me in North America.
If I was a painter, I would have hundreds of finished and unfinished canvases in my studio waiting for people to see, and it is the same with my music. I've got so many pieces of music and songs waiting to be heard.
I think that American music, for me, it's a synthesis of a lot of different things. But for me growing up in North Carolina, the stuff that I was listening to, the things that I was hearing, it was all about black music, about soul music.
Music is still part of my life, but I hate the idea of people coming to see me play the guitar because they've seen me in movies. You want people who are listening to be only interested in the music.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
Waiting in line for something mundane is very boring. Waiting for my doctor to see me and waiting for my dentist to see me, yes, that is boring.
I started listening to rap music in 2012 or something, because that was when I started becoming friends with American people, and they showed me rappers to listen to. I actually started listening to Macklemore a lot. He's the first rapper I started listening to.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
The essence of a government health care system - for people who have never lived under it and don't know - is waiting, waiting, waiting. You wait for everything. You wait for years for operations that are routine in America.
It's a privilege to be from England and be able to come over to America and have people listening to music and really enjoying it.
Life is like music for its own sake. We are living in an eternal now, and when we listen to music we are not listening to the past, we are not listening to the future, we are listening to an expanded present.
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
I like to use exercise classes as a way of understanding what people are doing. I'm promiscuous in terms of exercise. You see what people are wearing. You see what people are responding to. You see what the music is they're listening to. An exercise class is social anthropology: what clothes people are wearing, what are the new sneakers.
The native music of North America, the original-roots music of this country, is also the underworld music of this country.
I think it's wrong for North America in particular, the West in general to make a comparison between the economic situation in Cuba and the extraordinarily developed industrial complex of North America.
I really enjoy listening to Japanese pop aka J-Pop and I also like listening to anime songs as well. Both of these types of music are unique to Japanese culture and listening to these types of music gets me going.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
This site uses cookies to ensure you get the best experience. More info...
Got it!