A Quote by Rza
I'd say that directing is in my heart. And that's where my focus is, like a laser beam. That's what I've been studying for a long time, and I think that everything that I've done before has contributed to the development of my craft as a director.
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I love the donors and we thank them, but it has to be that the guys in the barber shop, the lady at the diner, the folks who are worried about whether that plant is going to close, they've got to be our focus. They've got to be a laser-beam focus on everything we do, and everything we do should animate and empower them at the grassroots level for working people across this country. That's how we come back.
When you have a laser focus, and you get distracted by what other people say, you can lose that laser focus.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
The best directing style is the one that lets me do whatever I want. Seriously though, I like to be challenged and I like to collaborate. I love finding the medium between what I think and what a director does. I hate when a director uses the "my way or the highway" approach. But it also sucks when they tell you everything you do is great and offer no input. It's a fine line a director has to walk. It is a hard job.
I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
I've done all the other kind of production work on films than directing really badly. That is the truth. It's made me a better director because I feel like directing is the only thing I can really do.
I made myself a little angry before beam. That's the best way to do beam. It's important to fuel yourself with some devastating things, but I also realized that if I daydream about doing well and having this silver medal, it's more motivating than focusing on the negatives. So I learned to focus on the positive.
I stopped directing in 2001 for four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
Well, I made an announcement to my family at 8 that I wanted to be an actor, and I focused like a laser beam on it. I never had a fallback plan.
I am always able to keep a laser focus on one thing at a time without getting distracted. It helps that I try to break everything I do into small, achievable tasks.
I was never nervous directing. Not once. I'm more nervous acting. I'm far more nervous on set, before I say my lines, than I ever have been, as a director.
I've been studying the Bible for a long time. I remember that after the first five years or so of diligently studying the Word, I didn't feel like I had made any progress. There were a lot of things in my life that were out of order, and I didn't feel like I was getting anywhere.
We have a goal of winning the Super Bowl and that's just where our focus is. It's like a laser focus.
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
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