A Quote by Rza

This is a robbery, boy, gimme them dollars.
We hit the lottery, boy, it's in ya wallets! — © Rza
This is a robbery, boy, gimme them dollars. We hit the lottery, boy, it's in ya wallets!
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
I found one day in school a boy of medium size ill-treating a smaller boy. I expostulated, but he replied: "The bigs hit me, so I hit the babies; that's fair." In these words he epitomized the history of the human race.
Some people play the lottery all their life and never win a penny. Others play once and hit the jackpot and that's how it felt with 'Mary's Boy Child.'
I actually loved to dress like a boy, and I still kind of do and try to sneak boy's pieces into my wardrobe. I have Levi's boot cut jeans that actually might be from the boy's department, but I love them. Those jeans and flannel are my favorites. If I could choose anything to wear for the rest of my life, I'd just want a boy's outfit.
If you say to the universe, "Gimme, gimme, gimme," which is what a lot of the work around the law of attraction says because of a misinterpretation, then the universe gives you back what you offered out. You get more "gimme, gimme, gimme." "Gimme" means you don't have enough. You have a shortage. The universe just keeps giving you more shortage because of what you're thinking and saying.
There's something in my voice tonally that's like a boy, so I started being able to do boy voices and to be known as having a naturalistic boy tone without pushing it.
I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.
That was always my experience-a poor boy in a rich town; a poor boy in a rich boy's school; a poor boy in a rich man's club at Princeton .... However, I have never been able to forgive the rich for being rich, and it has colored my entire life and works.
Lochie. The boy I once loved. The boy I still love. The boy I will continue to love, even when my part in this world is over too.
It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.
One boy's a boy, two boys are half a boy; three boys are no boy at all.
You see, Dash -- I was never the girl in your head. And you were never the boy in my head. I think we both knew that. It's only when we try to make the girl or boy in our head real that the true trouble comes. I did that with Carlos, and it was a bad failure. Be careful what you're doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head.
'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.
I used to write things that might have sounded better coming out of an older person's voice or vision. Hence, "grandpa-boy." I'm an old man, but I'm a boy. A really old boy!
The Scoutmaster guides the boy in the spirit of an older brother... He has simply to be a boy-man, that is: (1) He must have the boy spirit in him: and must be able to place himself in the right plane with his boys as a first step. (2) He must realise the needs, outlooks and desires of the different ages of boy life. (3) He must deal with the individual boy rather than with the mass. (4) He then needs to promote a corporate spirit among his individuals to gain the best results.
All girls hit that phase where they like the bad boy. I grew out of that really young and I have a wonderful guy in my life who's not a bad boy at all. I like the satiric, consistent nice guy.
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