A Quote by Rza

Twenty percent of my records, you'll find a loop, like two or three loops per album out of 13 or 15 songs. I'd rather keep it like that. — © Rza
Twenty percent of my records, you'll find a loop, like two or three loops per album out of 13 or 15 songs. I'd rather keep it like that.
If you're going to buy something which compounds for 30 years at 15% per annum and you pay one 35% tax at the very end, the way that works out is that after taxes, you keep 13.3% per annum. In contrast, if you bought the same investment, but had to pay taxes every year of 35% out of the 15% that you earned, then your return would be 15% minus 35% of 15%-or only 9.75% per year compounded. So the difference there is over 3.5%. And what 3.5% does to the numbers over long holding periods like 30 years is truly eye-opening.
I bought a Three Dog Night album when I was pretty young, and I remember listening to all those songs. That's just greatly crafted songwriting, and the songs have such great harmonies. I remember marveling over those and trying to figure them out on piano. That was my early education - figuring out records, older records, as a kid.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
I work out six days per week all year round and usually work out two hours per day, and on top of that, I like power walking 15 to 30 kilometres each day.
I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.
The way that I've always viewed my career, I always do what comes to me. I don't write forty songs per album, I write fifteen to twenty songs and pick the ones that represent this period of my life the most.
Songs kind of live in a timeless place for me, and since I make records I dunno, about every two-and-a-half to three years or something like that, it's just not enough to put all the songs that I have, no matter how much I put.
It's just like an idea, like a chorus, and then we just jam on it - it happens in loads of different ways. The best songs I find always come from the subconscious, like when you don't think. Not to be pretentious about it, but usually songs just blurt out rather than thinking about it. I never write lyrics and then do a song, I find that really hard - that's like a real skill.
People who read me seem to be divided into four groups: twenty-five percent like me for the right reasons; twenty-five percent like me for the wrong reasons; twenty-five percent hate me for the wrong reasons; twenty-five percent hate me for the right reasons. It's that last twenty-five percent that worries me.
The human life is all one thing, like a blade tracing loops on the ice: a little kid, a twenty-three-year-old infantry sergeant, a middle-aged writer knowing guilt and sorrow.
Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
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