A Quote by Rza

I didn't discover how music and film could work together until Jim Jarmusch had me do 'Ghost Dog.' — © Rza
I didn't discover how music and film could work together until Jim Jarmusch had me do 'Ghost Dog.'
I met Jim Jarmusch when I started recording my album 'Ya Nass.' He was writing the script for 'Only Lovers Left Alive.' Jarmusch was always a great inspiration to me, way before meeting him. Working with him was fantastic.
I'm an anxious person. What I like best is to smoke cigarettes and listen to music. A perfect day for me is a day with coffee, cigarettes, and music, to quote Jim Jarmusch.
I figured out that I could think of my childhood dog that had died, and I could bring myself to tears. So I used that poor dead dog for several years until it just didn't work anymore, and I had to find something else.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
There's this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music: "It's not where you got it from, it's where you take it." To me, that's just an integral part of why I even bother making music. I don't mind that I've created an identity around what I do.
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
My job on a film is to be responsible for all the sounds in the movie besides the music. Together with my team, we work on the dialogue, foley, sound effects, and sound design. We work closely with the director and picture editor in the prep period, and then together with them, the sound mixers, and music crew, we collaborate on the final mix of the film.
We bought a dog, and we financed it - a $1,400 dog. We had no money, so me and my wife had to put our names together with our credit just to finance a dog.
There is a difference between the Holy Ghost and the gift of the Holy Ghost. Cornelius received the Holy Ghost before he was baptized, which was the convincing power of God unto him of the truth of the Gospel, but he could not receive the gift of the Holy Ghost until after he was baptized. Had he not [been baptized], the Holy Ghost which convinced him of the truth of God, would have left him.
Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.
For me, filmmaking combines everything. That's the reason I've made cinema my life's work. In films, painting and literature, theatre and music come together. But a film is still a film.
I remember, when I was 7, my dad found a pregnant dog on the railroad track one day and brought her home. So my mom explained about how this dog was married but that her husband had passed away - she didn't want me to even think that a dog could have babies without being married.
I am a big fan of Jim Jarmusch, and I do love big screen documentaries.
I am a big fan of Jim Jarmusch and I do love big screen documentaries.
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