A Quote by Rza

I thought about doing '36 Chambers' on Broadway. — © Rza
I thought about doing '36 Chambers' on Broadway.
My favorite on '36 Chambers' gotta be between 'Method Man' and 'Can It Be All So Simple.'
I know how important '36 Chambers' is, and it inspired me to record 'Lifted.'
If I thought about it before I went on, I would have never went on. So, therefore, you don't think about it; you have to talk yourself then into, 'Listen, this is it. This is the gig. Broadway or no Broadway, you've got to do your job.'
Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Simultaneous recording with superimposed ionization chambers and Wilson chambers, ionization chambers and sets of counting tubes, has not yet been carried out.
My first encounter with Wu-Tang Clan came when I ordered six CDs from those throwback catalog orders, from Columbia House or something, and '36 Chambers' was one of them. It was on from then.
The abortion cases produced an enormous amount of mail to my chambers, vastly more than to the other chambers, I am sure. I sometimes thought there wasn't a woman in the United States who didn't write me a letter on one side or the other of that issue.
Broadway is not about surprises. It's about rewarding the putrid, formulaic crap that makes Broadway Broadway.
I thought I'd be doing weird, Off Broadway theater after I graduated.
I'm not really worried about my numbers now as a 36-year-old. I'm not trying to be the first, experimental case of a 36-year-older trying to maintain his numbers, especially when I'm on a team like this. Can I do the same stuff I could do when I was Amare's age? Of course not. I'm not going to even try. However, I feel that I'm the baddest 36-year-old out there.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
I remember doing Broadway, I started Broadway in 2005, and, of course, I sing two songs in the play, 'Hairspray'.
There was something in Nick, becoming the Broadway star that he was and working from the age of 7, being on Broadway for four years, and then doing the music.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
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