A Quote by S. Ansky

A writer has a difficult fate, but a Jewish writer has an especially difficult fate. His soul is torn; he lives on two streets with three languages. It is a misfortune to live on this sort of 'border,' and that is what I have experienced.
One of the most difficult things for a writer in this business to accept is the uncertain fate of one's work.
As soon as you become a writer, you lose contact with ordinary experience or tend to. ... the worst fate of a writer is to become a writer.
The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.
As difficult as it is for a writer to find a publisher-admittedly a daunting task-it is twice as difficult for a publisher to sort through the chaff, select the wheat, and profitably publish a worthy list.
Any adjective you put before the noun 'writer' is going to be limiting in some way. Whether it's feminist writer, Jewish writer, Russian writer, or whatever.
I have found that fate is as liquid and elusive a word as love. Plato thought they were the same ... Novalis wrote that fate and soul are two names for the same principle.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
Fate, Chance, God’s Will — we all try to account for our lives somehow. What are the chances that two raindrops, flung from the heavens, will merge on a windowpane? Gotta be Fate.
Borders are liminal spaces. Anyone worthy of the title of 'writer' is a border writer. We all are border people.
There are good people who are dealt a bad hand by fate, and bad people who live long, comfortable, privileged lives. A small twist of fate can save or end a life; random chance is a permanent, powerful player in each of our lives, and in human history as well.
Detach the writer from the milieu where he has experienced his greatest sense of belonging, and you have created a discontinuity within his personality, a short circuit in his identity. The result is his originality, his creativity comes to an end. He becomes the one-book novelist or the one-trilogy writer.
As things stand now, I am going to be a writer. I'm not sure that I'm going to be a good one or even a self-supporting one, but until the dark thumb of fate presses me to the dust and says 'you are nothing', I will be a writer.
If a writer doesn't do anything but give a new word to his language and, from there, maybe to other languages, I think that writer redefines the world.
If a writer is convinced that he is honest, then it is very difficult for him to be a bad writer.
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's best friend and only true enemy-the good and great enemy. He neither walks with the multitude nor cheers with them. The writer who is a writer is a rebel who never stops
It is not true that fate slips silently into our lives. It steps in through the door that we have opened, and we invite it to enter. No one is strong enough or cunning enough to avert by word or deed the misfortune that is rooted in the iron laws of his character and his life.
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