A Quote by S. E. Hinton
I guess I just couldn't see standing there -- alive, talking, thinking, breathing, being -- one second, and dead the next. It really bothered me. Death by violence isn't the same as dying any other way, accident or disease or old age. It just ain't the same.
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Part of the bargain of being alive is that one takes a chance at dying a premature or painful death, be it from violence, accident, or disease.
I just wanted people to hear the sounds and fall in love and not overthink it. You get a 12-year-old and you'll get a 55-year-old standing next to each other in the audience. They're from different eras of music but they'll feel the same way.
I know for myself my big, long friendships they don't have the same problems any more, but they also-when you get together you often times just have a drink and watch football together. You're not really talking about everything so much the same way. You just need to be around each other, and yet you can look at each other and so much is said just between those minutiae- it's totally subtle is really what it is. I felt like that, you know, a life that's been so totally dramatic then becomes beauty in the fact that it's just so small.
When you go to Africa and you see people who are just like you and me - this is always my starting point. These are people who are just like you and me. The same synapses, same things are firing off in their heads, same dreams for their children, same hopes and aspirations that we all have. What can one do to reduce the possibility that their chances of a happy and healthy and prosperous life are not solely determined by the accident of where they were born?
'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'
Those who deal in magic learn to see the world in a slightly differnt light than everybody else.you gain a perspective you had considered before. A way of thinking that would never have occurred to you with out exposure to the things a wizard sees and hears.When you look in to some ones eyes you see them in that other light and for just a second they see you in the same way.
Because dead people are just like you and me, they still want things. They look at us all the time, and they miss being alive. We have taste and color and smell and feelings, and they don’t have any of those things.
They stare at us, they don’t miss anything. They really see what’s going on, and we hardly ever really see that. We’re too busy thinking about things and getting everything wrong, so we miss ninety percent of what’s happening.
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - forgive me, comrade; how could you be my enemy?
I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
I guess you have to be a little arrogant to be a writer. I decided early on that just because a lot of other writers were bothered by getting bad reviews didn't really mean that the things were particularly important. By the same token, the good ones didn't mean all that much either. So I just forget about reviews and I wrote what I wanted.
We are dying of preconceptions, outworn rules, decaying flags, venomous religions, and sentimentalities. We need a new world. We've wrenched up all the old roots. The old men have no roots. They don't know it. They just go on talking and flailing away and falling down on the young with their tons of dead weight and their power. For the power is still there, in their life-in-death. But the roots are dead, and the land is poisoned for miles around them.
Holy shadows of the dead, I'm not to blame for your cruel and bitter fate, but the accursed rivalry which brought sister nations and brother people, to fight one another. I do not feel happy for this victory of mine. On the contrary, I would be glad, brothers, if I had all of you standing here next to me, since we are united by the same language, the same blood and the same visions.
...Though drowned was just as dead as any other way of dying.
There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.
The other producer of old age is habit: the deathly process of doing the same thing in the same way at the same hour day after day, first from carelessness, then from inclination, at last from cowardice or inertia. Luckily the inconsequent life is not the only alternative; for caprice is as ruinous as routine. Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.
Spending time in Calcutta [India] really did a number on me. The way life and death are almost the same thing, the way poverty is dealt with, the sheer number of dead bodies you see, it's all pretty overwhelming.
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