A Quote by S. E. Hinton

I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself. — © S. E. Hinton
I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
You know, the character of Isabelle in 'Love Crime' is the only character I feel the furthest from. I have nothing to share with her, so it was really difficult. Being an actor of composition is something, but you always base yourself on something you know about.
Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
It's a piece that is so interactive, and relies so much on these five men in the room, that I think will appeal to the life experiences every person has, in some small way. Every aspect of the play will in some way touch somebody or they'll know someone that has a likeness... very representative of real life.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
Real religion is about, developing real character; character of compassion, character of humility, the character of determination to grow in all circumstances.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
When I look at a person, or a character, it is in every case the beginning of an endless journey. And I don't suppose I know where that starts. I know that I have to, like every other person, make decisions and have opinions. But I'm real careful to not judge crassly or cheaply someone else's life.
I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character.
Believe it or not, every Marvel character is someone's favorite character. There's a fan out there who absolutely believes that their character should have their own television show.
The way I write my shows, every character is its own organic thing. No character has a life at all until I see it played by somebody.
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