A Quote by S. E. Hinton

I made up my mind that I'd get out of that place and I didI learned that if you want to get somewhere, you just make up your mind and work like hell til you get there. If you want to go somewhere in life, you just have to work till you make it.
I learned that if you want to get somewhere, you just make up your mind and work like hell til you get there.
I like girls who want to get up and dance and don't mind singing in front of my family - you know, silly stuff. Some girls won't eat in front of boys or won't go bowling. They just want to go out and look pretty. I don't really get that. I want someone who is up for having a good time.
I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board.
People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.
I come from the mind-set that, if you want it to work, it will work, whether it's a friendship or a relationship. If you're both in the same mind-set and you want to be together and you want to make it work, you can make it work. It just takes dedication and knowing that there might be some miscommunication and lack of communication sometimes.
Anybody can have this body if you do enough sit-ups and you just make a decision that 'Every day, I'm going to work out.' There are some days that I just don't feel like doing it, and I don't. But more often than not I get up and I get on the treadmill that I want to shoot and just do it. The first 20 minutes are the hardest.
As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
My dad said: Now Teddy, you have to make up your mind whether you want to have a constructive and positive attitude and influence on your time. And if you're not interested in a purposeful, useful, constructive life, I just want you to know I have other children that are out there that intend to have a purposeful and constructive life. And so you have to make up your mind about which direction you're going to go. I remember getting - climbing into bed and staring at the ceiling for a good time, but the night hadn't been over when it was very clear to me what kind of life I wanted to lead.
Make up your mind what you want to do, and go and get it. Make sure it is not at the expense of anyone else, though.
A wiser rule would be to make up your mind soberly what you want, peace or war, and then to get ready for what you want; for what we prepare for is what we shall get.
Most days, I'm out there, I'm enjoying what I'm doing. I love my job, I love my life, some days I get up, I'm sore, I'm on the edge of getting sick, I'm like, just beat up, and I don't want to go out. I just kind of make myself go out there and do it.
When I started travelling, I would go to a city and be on television and I used to get the question, 'Why do you work? If I were you, I'd just go and lie on a beach somewhere.' And I'd answer, 'Well, I wanted to make something of my life.
When I started travelling, I would go to a city and be on television and I used to get the question, 'Why do you work? If I were you, I'd just go and lie on a beach somewhere.' And I'd answer, 'Well, I wanted to make something of my life.'
For the first-time novelist you've got to get up at 5:30 in the morning and write until 7, make breakfast and go to work. Or, come home and work for an hour. Everybody has an hour in their day somewhere.
Anything that you might want to be is around somewhere. You can become it. You just have to get into the state of mind that allows that to occur.
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